Tag Archives: Exile In Paradise

Under the Nualláin House Umbrella

Nualláin House, Publishers, as a private venture, publishes fiction and poetry in limited editions.  Nualláin House, started in 2011, has in print two genre novels (Western and crime fiction), six poetry selections, and one anthology of Japanese linked verse. The year 2011 also marked the centennial of Irish writer Brian O’Nualláin’s birth, known also as Brian O’Nolan, and by his most famous pseudonym, Flann O’Brien, author of At Swim-Two-Birds, The Third Policeman and The Dalkey Archives. Such coincidence was taken to be an auspicious sign for the literary enterprise thus named.  Over the years the perception of what publishing at a POD (print on demand) scale required grew into the understanding that commercial viability was less important than the publishing process itself.  It also led to a questioning of the basic premise of publishing as a commercial venture in the age of the electronic commons.  What Nualláin House provides on demand is a repository of the written word available to interested parties in a nearly antiquated cash and carry format.  The editions are offered at a moderate affordable price whose sole object is to cover production costs. Back in 2011 Nualláin House acquired ten ISBNs (International Standard Book Numbers), nine of them have been assigned to books since published.  That leaves one last number.  What will it be?

In the online media world, the potential for spinoffs and subsidiaries is limited only by the amount of energy (and time) devoted to ensure their continued existence.  Along with its print operation, Nualláin House provides cover for Parole, the blog of The New Black Bart Poetry Society.

Parole has posted regularly since 2013 with commentary, criticism, reviews, and essays on the subject of poetry. The New Black Bart Poetry Society is not a school of poetry nor does it endorse or espouse a particular philosophy of poetry.  The Society will entertain most any presentation on the art of poetry, its past, its present, and its future (see Conditions of Parole).  Explications, delineations, categorizations, taxonomies, and various sundry groupings of poets and their work are of vital interest to the Society membership.

The Poetics of Defiance      Delete Punctuation     Contributor’s Notes

 

In considering the advantages of blogs and online publishing, Nualláin House has looked to the serial novel as an opportunity to develop an ancillary approach to the presentation of literary fiction as a work in progress.  The online serial presents a visceral experience that has the density and complexity of a scripted series paralleling the newspaper feuilletons of 19th Century Paris, and the American pulps of the 1920’s and 30’s.  

 

Ode To Sunset, A Year In The Life Of American Genius is an serial online fiction about dying and death, about a poet who is not quite Charles Baudelaire, not quite Charles Bukowski, who looks like a well worn Alex Trebeck but with the pit bull demeanor of a Mickey Rourke.  It takes place mostly in a city not always quite Frisco.  This is not autobiographical or a roman à clef, but it is satirical, playful, and inevitably deadly serious.  An eight second David Mamet pitch could be rendered as “A Confederacy of Dunces meets A Fine Madness with voice over by George Steiner.”

Ode To Sunset Contents      Day    Week    Month    Year

 

Bamboo Leaf Studio is a result of an avid interest in Asian art and design.  Begun as a passion for collecting prints and paintings, reproductions and originals, it eventually developed into a gathering of tools and materials in a small space designated as “studio.” Following were attempts at the production of works in imitation of and improvisation in a laboratory of received and subsequently original ideas.  The outcome has been the somewhat regular creation and fabrication of limited edition objets d’art which include handmade poetry editions, prints, broadsides (in collaboration with Iota Press) and poem cards.

Nualláin House, Publishers has evolved into an artistic non-commercial venture, a boutique press if you will, in which access to ongoing creative processes is granted through a web portal. Essentially the material is free. However, a percentage of the production and shipping cost is included in acquiring a facsimile. Any “overage” is applied to future projects for which, starting from zero, a value can be contemplated.  

 

And it is for that very non-commercial reason that you won’t find Nualláin House, Publishers titles for sale on Amazon unless they are through a second party.  Nualláin House titles are available exclusively through the publisher and this site.  This applies for items from Bamboo Leaf Studio as well—Parole and Ode To Sunset are available for the browsing, subscription free, at each of their own sites.  Nor will you find a shopping basket or convenient checkouts payable with a credit card.  Both listing on Amazon and through point of sale accounts such as PayPal involve a third party interface which requires a fee (or operation tax, if you will).  If Nualláin House, Publishers was truly a business then perhaps it would absorb these fees as a cost of doing business.  On the other hand your personal info is not entered into a data base to be sold or mined which would happen if we used Amazon and/or point of sale software. If shipping is charged, it covers the cost of materials (labels and envelopes) and postage.  With more than one book or title ordered, as per our policy, the purchase includes free shipping .  A check, money order, cash payment (plus stamp & envelope) is a minor inconvenience to stay out of the clutches of the corporate data mining overlords. Orders can be placed by email at nuallainhousepublishers (at-sign) gmail (dot) com. Repeat customers (donors) will be invoiced with the title(s) ordered with payment expected upon receipt. For those new to Nualláin House, Publishers, orders will be shipped upon receipt of payment.

 

Best of the Season from Nualláin House, Publishers, and thanks in advance for your support.

WHITE HOT Summer Deals

 

Buy one Nualláin House Title at Retail Price & Take 40% off Additional Titles
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So Much, Selected Poem, 1969-1989
“Descriptions of nature so translucent we can only marvel how he weaves us into them, onward, around that eternal share of misfortune, bitter realization, and expectations gone wrong. This is Nolan’s secret power.  He engages us in magical transformation and will not let us look away.”
—Maureen Owen, author of Erosion’s Pull and Edges of Water

 

Exile In Paradise
“Reading these poems, I feel like I’m walking down a village lane somewhere in China, beyond the reach of the emperor’s minions, and every door I walk by, someone invites me in for a cup of wine. At this rate, I don’t think I’ll ever make it out of here, and why should I?”
—Bill Porter (Red Pine), translator, author of Finding Them Gone: Visiting China’s Poets from the Past

 

Poetry For Sale
Poetry For Sale is a fantastic collection.  Anyone interested in the interaction between Japanese and English poetry needs this book.  And anyone interested in renga should definitely get it.  It is an immensely pleasing collection: entertaining, surprising, sometimes sharp and witty, sometimes introspective, sometimes descriptive, the renga unfold with great skill and elegance.”
 —Jim Wilson,  author of Microcosmos, The Art Of The Solo Renga (Sebastopol, 2014)

 

Your Name Here
“The poems glow with insight and wit as they simply monitor the flow of a mind steeped in Chinese poetry, bebop, the Russian River, the beats, the birds, Heraclitus. . . .  [Nolan] in his own words, is an alphabet male.  And despite the breadth of his learning and thought, is always just talking from right here.  It’s a hell of a book.”
—Eric Johnson, poet and master printer at Iota Press

 

Hello Life
“Reading Gail King has always been one of my great poetry pleasures. Her inimitable voice narrates the world with humor and tenderness, a world of beauty and occasional sorrow. Her work has healing effects.”
—Andrei Codrescu, NPR commentator and author of So Recently Rent A World

 

 

The Last Resort
“Pat Nolan’s The Last Resort puts his gun in the right hands–a woman’s–with authority and harmful intent.  Get ready to hit the deck!”
Barry Gifford, author of Imagining Paradise and Wild At Heart

 

 

On The Road To Las Cruces
On the Road to Las Cruces takes us on a twilight journey through frontier history.  Nolan’s adroit and stylish prose intertwines death, betrayal, greed and conspiracy as each claims its victims.”
Keith Abbott, author of Downstream From Trout Fishing In America

 

 


 

 

Exile In Paradise just in time for the Chinese New Year

Year of the Canine, 4715

Exile In Paradise “is alive with details to coax our attention, urge our sensitivity to the present.   Little happens while everything happens. . .Poems arise from the mists of west county. . .Only nature and the moment exist.”
—Robert Feuer,  Sonoma County Gazette
(
read the entire review in the Sonoma County Gazette)

November, 2017~$16.00~paper~6×9~ISBN 978-0-9840310-5-4

The poems of Exile In Paradise are derived from a lifelong appreciation of classical Chinese poetry. This selection by Pat Nolan marks an almost fifty year creative engagement with Asian literature in translation. Chinese poetry is image rich and largely dependent for its overall effect on the juxtaposition of these images in a discontinuous thread that is not unlike the successive frames of a film. Each of the poems finds its origin in a line translated from an ancient Chinese poet. Although removed by degrees of separation from the originals in time and language, their impulse remains the same: to call up the perceptual as a song of celebration in sacred engagement with the world.


More Praise for Exile In Paradise

“Nolan has given Solitude, itself, a voice in this rich lyric of nature.  A luminosity of flickering bursts pause and magnify now moments of being alive.  His quotidian soaks us with its presence.  His lines trace the air.”
—Maureen Owen, author of Erosion’s Pull and Edges of Water

“Reading these poems, I feel like I’m walking down a village lane somewhere in China, beyond the reach of the emperor’s minions, and every door I walk by, someone invites me in for a cup of wine. At this rate, I don’t think I’ll ever make it out of here, and why should I?”
—Bill Porter (Red Pine), translator, author of Finding Them Gone: Visiting China’s Poets from the Past


Pat Nolan has lived in silent cunning exile along the Russian River in Northern California for over forty years.  His poetry, prose and translations have appeared in numerous literary magazines and anthologies in North America, Europe and Asia.  He has worked as a bartender, rock band manager, trail crew grunt, radio DJ, janitor, preschool teacher, and emergency dispatcher.  The author of three novels and over a dozen poetry books, he is also publisher of Nualláin House, Publishers and maintains the literary blog for The New Black Bart Poetry Society.


Exile In Paradise
November, 2017
$16.00~paper~100 pages~6×9~ISBN 978-0-9840310-5-4

is available exclusively from the publisher
(locally at Many Rivers Books & Tea

Sebastopol, CA)
Go to How To Order for details

Exile In Paradise FREE SHIPPING

Praise for Exile In Paradise

“Nolan has given Solitude, itself, a voice in this rich lyric of nature.  A luminosity of flickering bursts pause and magnify now moments of being alive.  His quotidian soaks us with its presence.  His lines trace the air.”
—Maureen Owen, author of Erosion’s Pull and Edges of Water

“Reading these poems, I feel like I’m walking down a village lane somewhere in China, beyond the reach of the emperor’s minions, and every door I walk by, someone invites me in for a cup of wine. At this rate, I don’t think I’ll ever make it out of here, and why should I?”
—Bill Porter (Red Pine), translator, author of Finding Them Gone: Visiting China’s Poets from the Past


 

The poems of Exile In Paradise are derived from a lifelong appreciation of classical Chinese poetry. This selection by Pat Nolan marks an almost fifty year creative engagement with Asian literature in translation. Chinese poetry is image rich and largely dependent for its overall effect on the juxtaposition of these images in a discontinuous thread that is not unlike the successive frames of a film. Each of the poems finds its origin in a line translated from an ancient Chinese poet. Although removed by degrees of separation from the originals in time and language, their impulse remains the same: to call up the perceptual as a song of celebration in sacred engagement with the world.

Pat Nolan has lived in silent cunning exile along the Russian River in Northern California for over forty years.  His poetry, prose and translations have appeared in numerous literary magazines and anthologies in North America, Europe and Asia.  He has worked as a bartender, rock band manager, trail crew grunt, radio DJ, janitor, preschool teacher, and emergency dispatcher.  The author of three novels and over a dozen poetry books, he is also publisher of Nualláin House, Publishers and maintains this literary blog.


Failed in Letters Happy in Life

“Cherishing my ineptness I’m carefree to the end”
enjoying a little peace cup of herb tea cold
attentive to the sound of the eaves overflowing
after a rush of late winter rain passes through
where I have gone wrong fills many notebooks
file cabinets bulging with personal hyperbole
here mistake after mistake accumulates like dust
documents of my timeless imperfection


FREE SHIPPING
~offer has been extended through November 15th, 2017~
FREE SHIPPING

Exile In Paradise
November, 2017
$16.00~paper~100 pages~6×9~ISBN 978-0-9840310-5-4

is only available from the publisher
Go to How To Order for details

Exile In Paradise now available for preorder

Exile In Paradise
by Pat Nolan

will be available early November, 2017
Order before October 31st, 2017 and get free shipping
(see How To Order for details)

 

 

ISBN 978-0-9840310-5-4~ 6×9~ paper~100 pages~$16

The poems of Exile In Paradise are derived from a lifelong appreciation of classical Chinese poetry. This selection by Pat Nolan marks an almost fifty year creative engagement with Asian literature in translation. Chinese poetry is image rich and largely dependent for its overall effect on the juxtaposition of these images in a discontinuous thread that is not unlike the successive frames of a film. Each of the poems finds its origin in a line translated from an ancient Chinese poet. Although removed by degrees of separation from the originals in time and language, their impulse remains the same: to call up the perceptual as a song of celebration in sacred engagement with the world.


Praise for Exile In Paradise

“Nolan has given Solitude, itself, a voice in this rich lyric of nature.  A luminosity of flickering bursts pause and magnify now moments of being alive.  His quotidian soaks us with its presence.  His lines trace the air.”  —Maureen Owen, author of Erosion’s Pull and Edges of Water

“Reading these poems, I feel like I’m walking down a village lane somewhere in China, beyond the reach of the emperor’s minions, and every door I walk by, someone invites me in for a cup of wine. At this rate, I don’t think I’ll ever make it out of here, and why should I?” —Bill Porter (Red Pine), translator, author of Finding Them Gone: Visiting China’s Poets from the Past


 

The Hand of an Old Friend

“Day’s late glazing rays already deep in the yard”

as a bee in amber I’m captured by a rich light

faint breeze rustles bamboo grove half in shadows

that sense of well being so fleeting visits again after

days of feeling like someone’s standing on my heart

that heaviness relieved as Autumn’s orange glare

warms my shoulder like the hand of an old friend

 

Limited Edition: Exile In Paradise

Exile In Paradise

by Pat Nolan

 

EGRET1 title2x3The selection of poems in Exile In Paradise are derived from a lifelong appreciation of Chinese poetry.  Each of the  poems finds its origin in a line from an ancient Chinese poet.  The body of the poem consists of an improvisation from that line with the aim of using elements of Chinese prosody such as parataxis and parallelism while being cognizant that Chinese nouns have no number, verbs have no tense, few if any conjunctions or prepositional indicators, and that each line contains its own integrity, apart from any overarching discursive intent.  Chinese poetry is image rich and largely dependent for its overall effect on the juxtaposition of these images in a discontinuous thread that is not unlike the successive frames of film.  The poems in Exile In Paradise makes use of this ancient prosody to achieve a synthesis between an historically distant culture and the contemporaneous radically different literature of today.
excvrf

Exile In Paradise was published by Bamboo Leaf Studio in 2009 in a limited edition signed by the author with his seal.  Most of the covers are made from repurposed ‘stick & strings’ wallpaper samples and vary with each copy. A few of the covers were printed on a distressed heavy weight print paper using a stencil design. The endpapers are Japanese silkscreened patterns imported from Kyoto, as are the binding strips. The illustrations accompanying the poems are reproductions from a nineteenth century block printed Japanese compendium of seals and calligraphic signatures of ancient Chinese painters in the possession of the author.  Exile In Paradise measures 5.5×8.5 inches (14×21.5 cm) and is bound with a traditional four hole Japanese style binding.  The poems were printed on a limited supply of discontinued Gainsboro text stock.  Exile in Paradise is out of print in this edition.

excvrfst
To view a pdf facsimile click on Exile In Paradise 2009

The Nolan Anthology of Poetry, Volume II: The Modern Era

Nolan VIIThe Nolan Anthology of Poetry, Volume II was published by Fell Swoop in 2003.  The first Nolan Anthology of Poetry was published in 1993 by the same New Orleans publisher.  Volume II (Fell Swoop #64) The Modern Era was printed in an unspecified print run using basically the same 8.5×11 stapled binding format as the first volume though designating them as “volumes” may be a bit of overstatement as each is only twenty pages in length printed on a single side of the page.  The cover design by the author was meant to replicate the pocket poetry books of the French publisher, Gallimard under the NRF (Nouvelle Revue Française) imprint.  Volume II, as did Volume I, represents a sampling from a variety of the author’s poetry manuscript unpublished at the time.  Since then the poems in the tanka sequence Light Years have been included in a handmade limited edition chap book entitled Carved In Stone (Empty Head Press, 2013).  The Chinese style poems were published as a selection entitled Exile In Paradise (Bamboo Leaf Studio, 2009), also as a handmade limited edition.  The prose poems were included in a handmade chap book entitled Intellectual Pretensions (edition de Jacob, 2009).

Click here for The Nolan Anthology of Poetry, Volume II: The Modern Era 2003

A word about Fell Swoop magazine whose stated mission, as per Editor Reverend XJ Dailey, is to destroy contemporary American poetry: this year marks the 30th Anniversary of their fitful yet courageously tenacious low tech existence.  They (3rd person plural used advisedly) will publish their 130th issue this November.  Past featured authors and contributors to Fell Swoop magazine include Andrei Codrescu, Aram Sayroyan, Bernadette Meyer, The Clark Coolidge, Sir Thomas Weigel, Richard Martin, Camille Martin, Lady Alice Notley, and Keith Kumasen Abbott to name just a few.  As an unpretentious and somewhat anachronistic photo copy (xerographic) publication, Fell Swoop harkens back to the more innocent days of the mimeograph revolution when such prehistoric publications as Fuck You, C, Blue Suede Shoes, The End, Life of Crime, and The World roamed the humid fecund swamps of Am Po’s armpit.  Though based in New Orleans, they represent one of the last unapologetic bastions of the New York School of Poets scattered to the four (or five) corners of the poetry universe after the passing of the Grand Himself, Ted Berrigan.  Fell Swoop keeps the flame alive to light another Chesterfield.   Their post-Katrina address is Po Box 740158 New Orleans, LA 70174.  Send them a bunch of cash, in one fell swoop.