Tag Archives: new titles

Holiday Bargains

5 Dec

Take 30% off select titles
and 20% off the latest release
from Nualláin House, Publishers

Purchase two or more titles
and get free shipping
anywhere in the US
(see How To Order for details)
offer good through January 1, 2018


Also available through our partnership with
Bamboo Leaf Studio
take 30% off these limited edition
Linoleum Block Prints
from the Smoking Poets series

and the Faux Koan series by Pat Nolan

Order two or more prints
get free shipping
and receive a bonus broadside of
the limited edition
Dylan Thomas print accompanied by Pat Nolan’s
Advice To A Young Poet
Free!!

 

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Exile In Paradise FREE SHIPPING

27 Oct

Praise for Exile In Paradise

“Nolan has given Solitude, itself, a voice in this rich lyric of nature.  A luminosity of flickering bursts pause and magnify now moments of being alive.  His quotidian soaks us with its presence.  His lines trace the air.”
—Maureen Owen, author of Erosion’s Pull and Edges of Water

“Reading these poems, I feel like I’m walking down a village lane somewhere in China, beyond the reach of the emperor’s minions, and every door I walk by, someone invites me in for a cup of wine. At this rate, I don’t think I’ll ever make it out of here, and why should I?”
—Bill Porter (Red Pine), translator, author of Finding Them Gone: Visiting China’s Poets from the Past


November, 2017~$16.00~paper~6×9~ISBN 978-0-9840310-5-4

 

The poems of Exile In Paradise are derived from a lifelong appreciation of classical Chinese poetry. This selection by Pat Nolan marks an almost fifty year creative engagement with Asian literature in translation. Chinese poetry is image rich and largely dependent for its overall effect on the juxtaposition of these images in a discontinuous thread that is not unlike the successive frames of a film. Each of the poems finds its origin in a line translated from an ancient Chinese poet. Although removed by degrees of separation from the originals in time and language, their impulse remains the same: to call up the perceptual as a song of celebration in sacred engagement with the world.

Pat Nolan has lived in silent cunning exile along the Russian River in Northern California for over forty years.  His poetry, prose and translations have appeared in numerous literary magazines and anthologies in North America, Europe and Asia.  He has worked as a bartender, rock band manager, trail crew grunt, radio DJ, janitor, preschool teacher, and emergency dispatcher.  The author of three novels and over a dozen poetry books, he is also publisher of Nualláin House, Publishers and maintains this literary blog.


Failed in Letters Happy in Life

“Cherishing my ineptness I’m carefree to the end”
enjoying a little peace cup of herb tea cold
attentive to the sound of the eaves overflowing
after a rush of late winter rain passes through
where I have gone wrong fills many notebooks
file cabinets bulging with personal hyperbole
here mistake after mistake accumulates like dust
documents of my timeless imperfection


FREE SHIPPING
~offer has been extended through November 15th, 2017~
FREE SHIPPING

Exile In Paradise
November, 2017
$16.00~paper~100 pages~6×9~ISBN 978-0-9840310-5-4

is only available from the publisher
Go to How To Order for details

Autumn, 2017: Exile In Paradise

10 Sep

Coming from
Nualláin House, Publishers

Exile In Paradise

by Pat Nolan
Autumn of 2017

 

The poems of Exile In Paradise are derived from a lifelong appreciation of Chinese poetry. Originally published as a selection in limited edition by Bamboo Leaf Studio in 2010, this further iteration of eighty poems by Pat Nolan marks an almost fifty year creative engagement in comparative literature with Chinese prosody.  Chinese poetry is image rich and largely dependent for its overall effect on the juxtaposition of these images in a discontinuous thread that is not unlike the successive frames of film.  Each of the poems in Exile In Paradise finds its origin in a line translated from an ancient Chinese poet.  The body of the poem consists of an improvisation from that line with the aim of using elements of Chinese prosody such as parataxis and parallelism while being cognizant that Chinese nouns have no number, verbs have no tense, few if any conjunctions or prepositional indicators, and that each line contains its own integrity, apart from any overarching discursive intent.  The poems of Exile In Paradise, while clearly original, endeavor to achieve a synthesis between a historically distant culture and the contemporaneous radically different literature of today.


from the introduction to Exile In Paradise by Pat Nolan:
Some fifty years ago a friend loaned or gifted me Kenneth Rexroth’s One Hundred Poems from the Chinese, and as is commonly acknowledged a loaned book is often an unintended gift. The immediacy of these translations rests on their plain spoken imagism.  Undoubtedly much of that is due to Rexroth being of the Williams-Pound tell-it-as-you-see-it persuasion of American poetry.  The gift was my introduction to Chinese poetry.
            What at first was merely idle curiosity has become a lifelong passion leading me to read just about everything I can find relating to Chinese poetry, from Witter Bynner to Mike O’Connor.  Over the years I have assembled a library of anthologies and collections beginning with Arthur Waley’s Translations from the Chinese and Robert Payne’s The White Pony to more current editions complied by translators Burton Watson, Jonathan Chaves, David Hinton and Red Pine (Bill Porter).  With each collection or critical study I learn something new.   


Failed in Letters Happy in Life

“Cherishing my ineptness I’m carefree to the end”

enjoying a little peace cup of herb tea cold

attentive to the sound of the eaves overflowing

after a rush of late winter rain passes through

where I have gone wrong fills many notebooks

file cabinets bulging with personal hyperbole

here mistake after mistake accumulates like dust

documents of my timeless imperfection


Reserve a copy now!   

Year of the Fire Monkey

12 Feb

seal script

For the “ambitious, adventurous, but irritable”
Year of the Fire Monkey
Nualláin House, Publishers is pleased to announce

the 2016 publication of
Ode To Sunset,
A Year In the Life of American Genius
,
the print version of the long running online serial fiction

by Pat Nolan.

“. . .it is characteristic of American genius that the casual eye does not easily distinguish it from charlatanry.  Purity of intention lies at the center of American achievement.  Modern American writing is about honesty.  The American tradition is to offer discovery, not virtuoso performances.”
—Hugh Kenner

Scheduled for release in the fall, Ode To Sunset is a fiction about dying and death, about a poet who is not quite Charles Baudelaire, not quite Charles Bukowski, who looks like a well worn Alex Trebek but with the demeanor of a Mickey Rourke, and takes place mostly in a city not quite Frisco. It is satirical, playful, and inevitably deadly serious. Episodes from this raucous irreverent allegorical tale of a man and his muse are still available for viewing at odetosunset.com.

“A satisfactory novel should be a self-evident sham to which the reader could regulate at will the degree of his credulity.” —Flann O’Brien

In the coming months leading up to the publication of Ode To Sunset, excerpts from the final section will be posted at regular intervals to build on the suspense to the outcome of a year in the life of an American genius, the conclusion of which will only be available in the print edition. 

OTS bannermonthlink

 Caveat Lector!
This is not a roman à clef!
Ode To Sunset is primarily a work of the imagination, meaning lies and made-up stuff. No actual poets were named in the writing of this fiction with the exception of dead poets who serve as historical or literary markers as is often required of dead poets.

Read the third of a four part interview with the author at Interview with Pat Nolan, Part Three


In the meantime check out these other fine titles available
from Nualláin House, Publishers.
(Click on the menu bar above for each title to find out more
and what’s being said about them.)

 

Poetry For Sale Now Available!

17 Sep

NOW AVAILABLE!!

from Nualláin House, Publishers

OCTOBER 2015
Order Now & Get Free Shipping!
(Sorry, Free Shipping Available
To North American Destinations Only)
Offer Good Through October 15, 2015

P4sale15tjPoetry For Sale

Haikai No Renga (linked poetry)
Introduction by Pat Nolan
Haikai no Renga with
Keith Kumasen Abbott,
Sandy Berrigan, Gloria Frym,
Steven Lavoie, 
Joen Eshima Moore,
Maureen Owen, 
Michael Sowl,
and John Veglia
.

The eleven haikai no renga included in Poetry For Sale were written over period of nearly thirty years by Pat Nolan and his renku collaborators, Keith Kumasen Abbott, Sandy Berrigan, Gloria Frym, Steven Lavoie, Joen Eshima Moore, Maureen Owen, Michael Sowl, and John Veglia. This collection of linked poetry presents a fascinating excursion in comparative literature by a cross-section of exceptional, widely-published American poets.  What these poets bring to the collaborative linking of stanzas is a visceral sense of the poetic that transcends two disparate languages and the gap of centuries. In these pages haikai no renga is synthesized as a brief, highly suggestive, well spoken, maddeningly ambiguous, read-between-the-lines kind of poetry tuned to a common understanding.

October 2015 ~ 152 pages ~ $16 ~ paper ~ ISBN978-0-9840310-4-7

click on the How To Order tab for more information


from HARDLY STRICTLY HAIKAI
—An Introduction—

Haikai no Renga is collaborative poetry of Japanese origin normally written by two or more poets linking stanzas of 17 syllables and 14 syllables according to specific rules governing the relationship between stanzas.  Haikai collaboration can be as complex as chess, as multi-dimensional as go, and as fast-paced and entertaining as dominoes.  It is as much about the interaction of the poets as it is about what gets written.  The forward progress of its improvisation is akin to that of a tight jazz combo. Haikai composition has also been compared to montage in experimental film where the discontinuity of images and vectors achieves an integral non-narrative expression.

Haikai no renga is known variously as renga, haikai, renku, and linked poetry.  Generally the term renga is applied to an older, more traditional style of linking poetry practiced by the aristocracy and the upper echelon of medieval Japanese society.  Haikai no renga means “non-standard renga” though it has often been translated as “mongrel” or “dog renga” which places it in the literary hierarchy as common entertainment.

In the introduction to her seminal study of Matsuo Basho’s haikai no renga, Monkey’s Raincoat (Grossinger/Mushinsha, 1973), Dr. Maeda Cana offers a further explication of the word haikai.  “The main characteristics of the haikai are partly discernible in the kanji or Chinese characters which make up the words haikai and renku: hai denotes fun, play, humor, and also actor or actress, and kai friendly exchange of words; ren represents a number of carriages passing along a road one after another and has the meaning of continuing to completion while ku is expressive of the rhythmic changes in speech and denotes end or stop.”

Renku is a literary game of high seriousness valuing cooperation and rewarding intelligence as well as intuition.  A poet’s erudition and sense of language are called upon to clear paths and build bridges that will meander through the landscape of a literary garden.  Its cooperative result, a balance of unpredictable language gestures as insubstantial as smoke but possessed of a palpable humanity, is what is important.  The echo of the response, its relationship to the previous stanza, and how it extends its meaning, poignantly or allusively, is the esthetic ground for this kind of poetry.  The linking process, in renga, and in haikai, allows a sequence whose subtle oscillation of playfulness and gravity walk the tightrope of language’s built-in ambiguities.

“Generally speaking, haikai is steeped in the wit and banter” as Dr. Cana explains, and “it has a brilliance that shocks.  Such brilliance is continual and amazes. . .at every turn.”  Poets are under pressure to produce the unpredictable so that the possibilities of cleverness are continually exploited at a tempo that is swift and witty.  The haikai poets of old delighted in word play, literary allusions, double entendres as well as displays of authentic sensibility. The completed renku is as much a certificate of cooperation as it is a multi-page poem and a sequence of short poems.  Its literary value is in its effervescent spontaneity and transitory nature, a quality much appreciated by the Japanese.

renku sheet1

 

April Is The Worst!

8 Apr

Watchf Associated Press International News   United Kingdom England APHS52450 T.S. ELIOTSome poets celebrate April as National Poetry Month, claiming that it brings much needed attention to a marginalized art, while others deride the designation, arguing that it is patronizing and trivializing of an ancient (some might say arcane) way of sentience.  Be that as it may, designating a day, week or month for the celebration of poetry has the intent of focusing attention on a timeless art that many see as underappreciated in the greater world of commercial consumerist media.  Any search of ‘poetry’ online will turn up over 300 million hits, many duplicated of course, but all the same a number that is quite close to astronomical.  Some literary elitists might argue that such a large number amounts to a lot of bad poetry.  They may have a point. However, the intent of poetry is always pure; it is often for a lack of skillful execution that it fails.  That doesn’t mean that poetry should be the sole purview of academic busybodies whose only function is to taxonomically classify poetry according to a moldy moth-eaten esthetic.  Poetry lives because language is alive, mutable, and like a stream, treacherous or calm, torrential or stagnant, is a source of consciousness available to all. Perhaps the idea behind designating a Poetry Month serves the purpose of reminding everyone that poetry belongs to them, that poetry is free for the speaking, good, bad or indifferent.


 

FREE POETRY FREE POETRY FREE POETRY FREE 

BCFFrom its inception the Nualláin House, Publishers site has offered free access to the full texts of select out-of-print limited edition poetry titles as downloadable pdf files.  Most of these poetry books were handmade using Japanese papers and bindings in editions of twenty-six to thirty-six signed by the author or authors.  The free titles include Gail ah bolinasKing’s Boxes & Chairs, Pat Nolan’s travel journal, Ah Bolinas!, and Random Rocks, a haikai collaboration with Keith Kumasen Abbott, Pat Nolan, Maureen Owen, and Michael randrksfcSowl.  By scrolling down the sidebar, poetry enthusiasts can find any number of limited edition posts featuring  full text access to that particular out-of-print title.
Iota Brdside DT

Also available for free is a signed limited edition broadside of Advice To A Young Poet by Pat Nolan accompanied by a linoleum block print from his Smoking Poets series. Send $3 for shipping and handling with return address to Nualláin House, Publishers  PO Box 798  Monte Rio, CA 95462

 

HELLOLIFEj

 

YNHcvrjAnd for all orders placed in the month of April, Nualláin House retail titles, in particular Gail King’s Hello Life and Pat Nolan’s Your Name Here, shipping is free.  See How To Order.

 

 

 


 

paroletxthdr
More interested in reading about poetry?
  Try Parole, blog of The New Black Bart Poetry SocietyParole features essays on poetry, poets, and the poetry scene with articles on William Carlos Williams, Andrei Codrescu, Alice Notley, Philip Whalen, Frank O’Hara, and Bob Dylan to name just a few.  Access is free.

Click here to read Steven Lavoie’s essay on Darrell Grey and the Actualists on the West Coast.

 


OTS banner1

Essays not your thing?  How about a fictional poetry soap opera?

Ode To Sunset, A Year In The Life Of American Genius is a serial fiction about a poet who is not quite Charles Baudelaire, not quite Charles Bukowski, who looks like a well worn Alex Trebeck but with the demeanor of a Mickey Rourke.  It mostly takes place in a city not always quite Frisco.  It is satirical, playful, and inevitably deadly serious.

Ode To Sunset has posted installments for six months to word-of-mouth acclaim.  The first section, DAY, is available as individual episodes or as The Complete DAY, a pdf file.  WEEK is now in progress.  For free access go to Ode To Sunset. 

 


 Coming in 2015

Nualláin House, Publishers is pleased to announce it’s 2015 title,

P4Sale12jPoetry For Sale,
Haikai no Renga (linked verse)
Introduction by Pat Nolan
Haikai no Renga with Keith Kumasen Abbott, Sandy Berrigan, Gloria Frym, Steven Lavoie, Joen Moore, Maureen Owen, Michael Sowl & John Veglia 

Haikai no Renga is collaborative verse of Japanese provenance written by two or more poets trading stanza of 17 and 14 syllables according to specific rules governing the relationship between stanzas, and with stanzas numbering as many as one hundred.  A haikai collaboration is as complex as chess, as multi-dimensional as go, and as fast-paced and entertaining as dominoes.  It is as much about the interaction of the poets as it is about what gets written, the forward progress of its improvisation akin to that of a really tight jazz combo.

Pre-orders are now being accepted.

 

 

 

 

 

 

 

Year Five

27 Jan

year five

2015 marks the fifth year of operation here at Nualláin House, Publishers, and while there were a few surprises and learning experiences, there is also no doubt the education opportunities will keep presenting themselves.  Of the four books Nualláin House has published to date, two have been genre fiction and two have been poetry.  This should not be surprising as among the principals of the publishing concern are two poets.  Genre fiction will still be a focus but because of the abundance of readily available material, poetry will always be a consideration.  Now with four books complete and available, a fifth is in the planning stages.   More on that in the near future.

The Nualláin House mission has not changed. As a publishing venture committed to introducing diverse literary entertainment to the reading public, Nualláin House, Publishers, will continue to offer a range of quirky and engaging titles to enhance the modern “reading life.”   What has changed is the variety of options available in presenting and producing written entertainment, and one that Nualláin House, Publishers, is encouraged to attempt.

Access and availability seem to be the buzz words.  The reading public now totes their devices the way some folks used to carry paperbacks around (some folks still do).  In fact, one of the early paperback publishers was Pocket Books, the name emphasizing their product’s portability.   What has changed is that information, in this case literature, no longer needs to be tied to a single use artifact.  Access to the virtual information cloud seems unlimited as is its round the clock availability.  Technology always changes the way business is done whether it is developing a new type of spearhead or the latest application for digital devices.  How it applies to independent publishing requires a reevaluation of what is being made available, in this case reading material.  Business, independent publishing included, carries with it the assumption that there will be compensation for the effort expended in offering a product, and that money needs to change hands. Although that aspect of business will not go away if it expects to remain business, it is quite possible that virtual content will represent merely the ephemeral inducement to acquire the printed artifact as an item of cultural capital.

Perhaps the access to intellectual product should not be predicated on a monetary return.  The factor that will determine such a product’s financial viability is demand.  If there is no significant demand should the property be withheld or should unconditional access be open to all cyber grazers in the marketplace?  Granted, such a free site becomes a special niche, boutique, if you will, visited by a unique readership brought there through interest generated on social media.

Although eBooks seem to occupy the virtual niche, their basis is not all that different from their printed versions in that they are, at the get-go, a product that must be purchased to access, albeit at a reduced cost.  Also, their virtual life lasts only as long as it takes to complete reading the text which can be anywhere from 12 hours to several months, depending on the product.  An alternate paradigm would be one that takes its cues from entertainment programming in that it offers episodic installments available at a predictable time and date and a compelling story arc that carries over an extended period the interest and attention of the reader.  That it is offered without cost removes a further obstacle in its availability.  What is being described is the online serial.

While the concept of an online serial is not new, Nualláin House is encouraged to adapt the concept to an ongoing pulp series of online genre fiction and is currently testing the waters with an original online serial fiction, Ode To Sunset.  Judging from the initial and ongoing response to posted episodes, there is no doubt that it is a viable enterprise with exciting potential. Many of the details are still in flux as to the format and presentation of serial online fictions, but one thing is certain: companion print editions will inevitably be available for purchase.  More will be forthcoming as further developments take shape.


 

smithsunsettext

Ode To Sunset, A Year in the Life of American Genius, is the title of the ongoing online serial fiction.  As of this post, eight installments have been published, with two more episodes to complete the current section.  Ode To Sunset is the story of American genius told over the course of a year. It is about a poet who is not quite Charles Baudelaire not quite Charles Bukowski, who looks like a well worn Alex Trebeck but with the demeanor of a Mickey Rourke.  It mostly takes place in a city not always quite Frisco.  It is satirical, playful, and inevitably deadly serious.  Now available for your oculation.  Ode To Sunset.


nulogorevjpNualláin House Publishers is also the sponsor of a sister site, Parole, blog of The New Black Bart Poetry Society.  Parole features essays and bbpsovalcritiques on the art of poetry, poets, and the poetry world in general.  Previous posts have included essays on Philip Whalen, William Carlos Williams, Andrei Codrescu, and Bob Dylan.  Membership in The New Black Bart Poetry Society is open to anyone who follows Parole.


 

Just A Reminder
current titles are still available,
free shipping with the purchase of
more than one copy or title
see
How To Order

 

YNHcvrjYour Name Here, New Poems by Pat Nolan
Never one to settle into a style, Pat Nolan has made of his poetry an exploration of other poetries and of the numerous ways a poem can be.  As an adherent of the Philip Whalen Buddhist-inspired “mind moving” school, he holds to the idea that the poem is framed sentience. Just as the observed world is an occasion of subjectivity, it also mirrors the self in a way that reflects objectively.  The poems in Your Name Here revolve around that quantum axis with seemingly random discontinuities that do not pin down meaning but are left to mean themselves.  Written to be heard by the mind’s ear, Nolan’s poetry enacts a sub-vocal monologue that is like the murmur of cosmic background radiation, noticeable only in its cessation or as pauses when the mind registers the sum of discrete moments in an instant.

November 2014 ~ 80 pages ~ $16 ~ paper ~ ISBN 978-0-9840310-0-9

 

HELLOLIFEjHello Life by Gail KingPoetry; The poems of Hello Life achieve their freshness in the particularity of experience. The poet surrenders herself to the moment and tenders that subtle cognition as a delighted welcome to life. The ease of her expression in dealing with the everyday communicates an uncommon wisdom. The poems present, through playful understatement and sly humor, the immediacy of spontaneous impressions. Maureen Owen, former artistic director for The Poetry Project in NYC and author of Edges of Water and Erosion’s Pull, says “In Gail King’s poems the events of the day become transformative, the images of the temporary become immediate, and the mystery of being alive in the Now unfolds. “…time like a lake breeze” says the poet, and the wind rises.” Gail King’s poems have also won the praise of Andrei Codrescu, poet, novelist, essayist and NPR commentator, author of So Recent Rent A World, who said “Reading Gail King has always been one of my great poetry pleasures. Her inimitable voice narrates the world with humor and tenderness, a world of beauty and occasional sorrow. Her work has healing effects.”

December 2013  ~  $16.00  ~  64 pages ~ Paper  ~  ISBN 978-0-9840310-3-0

 

The Last ResortThe Last Resort, A Lee Malone Adventure by Pat Nolan
Pat Nolan has written a fast paced, tongue-in-cheek, pun filled comedy of errors, misunderstandings, and faux intuition in the mode of a 1930’s pulp thriller to talk about the pulp fiction of that era.  In doing so, The Last Resort presents an unlikely set of circumstances in which a worldly-wise female reporter must untangle herself from her past in order to deal with the puzzling events of her present.  Rather than the typical splinter-jawed, broken nosed, tobacco breathed tough guy hero, Nolan upends the stereotype by introducing a gorgeous internationally famous former fashion model whose super power is her beauty.  The Last Resort, A Lee Malone Adventure, is a quirky, entertaining recreation of the lurid screed that once peopled pulp pages on newsstands everywhere.

August 2012 ~ $19.99 ~ 212 pages ~ Paper~ ISBN 978-0-9840310-2-3

ontheroadfront300On The Road To Las Cruces, Being A Novel Account of The Last Day In The Life of A Legendary Western Lawman by Pat Nolan
On The Road To Las Cruces, a work of fiction tethered loosely to historical fact, is the story of the relationship between two men, one garrulous, the other taciturn, the Mutt and Jeff of the old Southwest.  What is related on the road to Las Cruces is as much a retelling of some history as it is how such a retelling might come about, and is represented in the manner of a tall tale, the deadpan details of a crime story, melodrama, and a conspiracy to murder. The road to Las Cruces is full of twists and turns.  The sound of a door slamming like a gunshot brings us into the world of the old Southwest and the gun violence of that historical era.  More than just the tale of a legendary lawman who remains nameless to the end, it is a lesson in storytelling and an allegory for how lives were lived and how death was dealt.  As much a dusty tale of buffalo hunts and shoot-outs as a politically driven “whodunit,” On The Road To Las Cruces is the story of youthful bravado and an old man’s regret.

November, 2011 ~ $16.99 ~ 154 pages ~ paper ~ ISBN 978-0-9840310-1-6


bambooleafchopNualláin House, Publishers, in partnership with Bamboo Leaf Studio, will continue to offer its series of linoleum block print portraits entitled Smoking Poets featuring such literary luminaries as Dylan Thomas, Roberto Bolano, and Charles Bukowski.

Also available from Bamboo Leaf Studio are selection of Buddhist-inspired prints featuring faux homilies for the 21st Century. All linoleum block prints are hand printed on unbleached mulberry washi and signed by the artist with his seal.Order through Nualláin House, Publishers Box 798, Monte Rio, CA 95462

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