Tag Archives: independent publishers

Limited Edition: So Remote The Mountains

Limited Editions, Poetry, , , , , , , , , , , , , , , ,

So Remote The Mountains
after Saigyo

by Pat Nolan

 

so remote cvr So Remote The Mountains is a limited edition fanfold featuring twelve meditations on Saigyo’s tanka, yama fukami (So remote the mountains). A Buddhist monk-poet, Saigyo (1118 – 1190) is one of the most well known and influential of the traditional Japanese poets writing in waka, or tanka, the court poetry style of the late Heian, early Kamakura era. Saigyo had written ten tanka that began with the phrase yama fukami describing the austere and remote circumstances of his hermitage near Mount Koya and sent them to a fellow monk who lived some distance away, north of Kyoto. With a few exceptions, all of Saigyo’s poems are written in the 31 syllable form of tanka or waka favored by the Japanese court of his day. The tanka is a precursor to renga and hiakai no renga (linked verse) and today’s popular haiku. Its 31 syllables are generally broken into sets of 5-7-5-7-7 syllables from which traditional haiku derives its 17 syllable format.

            The twelve meditations on Saigyo’s So Remote The Mountain by Pat Nolan are not tanka, nor are they technically haiku as they do not adhere to the syllabic count for either of these forms. They are probably closer to haiku than tanka because of their succinctness. However it is best to think of them as call and response. The call is Saigyo’s line yama fukami, and the response is the meditation on the line, sometimes sober, sometimes humorous, all of which emphasize a sense of isolation and distance.

            This limited edition of So Remote The Mountain is a fanfold printed on rough unbleached mulberry paper set in a cover of 100% recycled Bogus art paper with Japanese silk screened endpapers imported from Kyoto. The cover is an original stencil print by the author. Each is numbered, signed, with the author’s seal. The fanfold measures 3-11/16th x 8-7/8th inches (9.5×22.5 cm) closed, 7-3/8th x8-7/8th inches (19.3×22.5 cm) open.  Japanese silk screened endpapers can vary from what is shown.  However all endpapers are genuine Japanese silk screened paper.
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So Remote the Mountain is available from Nualláin House, Publishers Box 798, Monte Rio, CA 95462, for $10 (postage included) cash, check or money order (make check or MO payable to ‘Pat Nolan’).

 

Smoking Poets

Limited Editions, Modern Poetry, Poetry, , , , , , , , , , , , , , ,

 

bambooleafchopNualláin House, Publishers, in partnership with Bamboo Leaf Studio, is offering limited edition linoleum prints of Smoking Poets, an ongoing series of author prints by Pat Nolan. The smoking poets in this in series include Blaise Cendrars, Pierre Reverdy, Dylan Thomas, Samuel Beckett, Ted Berrigan, Charles Bukowski, Roberto Bolaño, and the muse of amusement, Marcel Duchamp.

 

The Smoking Poets

duchampstmpgrp1Blaise Cendrars, edition of 50, 5×7” (12.7×17.78 cm) printed on unbleached mulberry paper, $30 US each

 

 

 

 

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Samuel Beckett, edition of 50, 5×7” (12.7×17.78 cm) printed on unbleached mulberry paper, $30 US each

 

 

 

 

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Pierre Reverdy, edition of 50, 4×5” (10.16×12.7 cm) printed on unbleached mulberry paper, $25 US each

 

 

 

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Dylan Thomas, edition of 50, 4×5” (10.16×12.7 cm) printed on unbleached mulberry paper, $25 US each

 

 

 

 

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Ted Berrigan, edition of 50, 5×7” (12.7×17.78 cm) printed on unbleached mulberry paper, $30 US each

 

 

 

 

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Charles Bukowski, edition of 50, 5×7” (12.7×17.78 cm) printed on unbleached mulberry paper, $30 US each

 

 

 

 

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Roberto Bolaño, edition of 50, 5×7” (12.7×17.78 cm) printed on unbleached mulberry paper, $30 US each

 

 

 

 

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Marcel Duchamp, edition of 50, 8×10 (20.32×25.4 cm) printed on unbleached mulberry paper, $40 US each

 

 

 

 

How To Order: Send check, money order, or cash to Nualláin House, Publishers Box 798 Monte Rio, CA 95462. Include $5 shipping for single prints. Purchase more than one print and receive free shipping. Make checks and money orders payable to ‘Pat Nolan.’
Special offer: purchase all the Smoking Poets and receive the Marcel Duchamp print free, compliments of Bamboo Leaf Studio.

 

Artist’s Statement:   

I first came to print making through an avid interest in Ukiyo-e prints, in the process amassing a large number of monographs, museum catalogs, and anthology representations of floating world artists who were popular in Japan in the 18th to the late 19th century. The subdued palette of basic colors reminded me of the color funny papers and comic books that were a consuming interest when I was a youngster. The more I learned about the art of Japanese print making, the more I came to appreciate 20th Century artists and the powerful simplicity of black and white prints in the hands of masters like Munakata, Unichi, and Okuyama. My by-now obsession with Japanese prints was kicked up a notch when I began collecting affordable reproductions of the Edo masters as well as original work by contemporary artists. The next level was to try my hand at making prints of my own. I had better luck carving linoleum blocks than I did wood and took the path of least resistance. I knew I wanted to work with and/or adapt the Japanese motifs I was familiar with. I had the idea of making Buddhist inspired prints featuring original homilies (“Kicked a clump of dirt – my return address”) since some of the earliest Japanese prints were devotional prints sold to pilgrims traveling to various shrines and temples. I also wanted to attempt portraits of literary personages, poets primarily, in the manner of Kabuki actor prints. My emphasis is black and white, printing with water soluble ink on mulberry paper, and, in most instances, letting the uncarved portions of the block define the picture plane. The blocks are printed by hand using a variety of barens and multiple inkings.

The Smoking Poets idea came to me after I had completed the Samuel Beckett print. As the idea took shape and I searched for images of poets smoking, I visualized it as an on-going series with the muse of amusement, Marcel Duchamp, as the centerpiece of this modern literary conclave.

Pat Nolan, Monte Rio, 6/1/2014

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Limited Edition: Lyre Liar

Limited Editions, Modern Poetry, Poetry, , , , , , , , , ,


lyreliarcvrfLyre Liar, a poem by Pat Nolan, was published by Bamboo Leaf Studio in 2012 in a limited numbered edition of 12 signed by the author with his seal. The cover is printed on a heavy weight Reeves print paper and folded as a clamshell as the platform for the fanfold poem. A band of washi with the author’s seal secures the clamshell closed. The endpapers are Japanese silkscreened patterns imported from Kyoto. Lyre Liar measures 9×7.75 inches (22.7×19.6 cm) open and 9×3 7/8 inches (22.7×9.8cm) closed. The fanfold poem is printed on an unbleached washi and measures 9×20.5 inches (22.7×52 cm) fully extended. Lyre Liar is out of print in this edition.

 

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Click LYRE LIAR 2012 to view a pdf facsimile.

Limited Edition: Exile In Paradise

Limited Editions, Non-fiction, Poetry, , , , , , , , , , , ,

Exile In Paradise

by Pat Nolan

 

EGRET1 title2x3The selection of poems in Exile In Paradise are derived from a lifelong appreciation of Chinese poetry.  Each of the  poems finds its origin in a line from an ancient Chinese poet.  The body of the poem consists of an improvisation from that line with the aim of using elements of Chinese prosody such as parataxis and parallelism while being cognizant that Chinese nouns have no number, verbs have no tense, few if any conjunctions or prepositional indicators, and that each line contains its own integrity, apart from any overarching discursive intent.  Chinese poetry is image rich and largely dependent for its overall effect on the juxtaposition of these images in a discontinuous thread that is not unlike the successive frames of film.  The poems in Exile In Paradise makes use of this ancient prosody to achieve a synthesis between an historically distant culture and the contemporaneous radically different literature of today.
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Exile In Paradise was published by Bamboo Leaf Studio in 2009 in a limited edition signed by the author with his seal.  Most of the covers are made from repurposed ‘stick & strings’ wallpaper samples and vary with each copy. A few of the covers were printed on a distressed heavy weight print paper using a stencil design. The endpapers are Japanese silkscreened patterns imported from Kyoto, as are the binding strips. The illustrations accompanying the poems are reproductions from a nineteenth century block printed Japanese compendium of seals and calligraphic signatures of ancient Chinese painters in the possession of the author.  Exile In Paradise measures 5.5×8.5 inches (14×21.5 cm) and is bound with a traditional four hole Japanese style binding.  The poems were printed on a limited supply of discontinued Gainsboro text stock.  Exile in Paradise is out of print in this edition.

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To view a pdf facsimile click on Exile In Paradise 2009

Limited Edition: Carved In Stone

Limited Editions, Poetry, , , , , , , , , , , , ,

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Carved In Stone, a tanka sequence by Pat Nolan, was published by Empty Head Press in the Summer of 2013 in a limited numbered edition signed by the author with his seal.  The covers are printed on heavy weight dragon cloud washi featuring reproductions of one of four Japanese prints from the series Imayo sugata (Stylish Appearances) as are the bamboo leaf endpapers.  Carved In Stone measures 4.25×3 inches (10.7×7.8 cm) and is bound in the Yamato style binding.  The 26 text pages (including 5 illustration) are printed on recycled paper.
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Tanka ,meaning ‘short song,’ is an unrhymed poem with a fixed thirty-one syllable pattern of 5-7-5-7-7.  In Westernized stanza form, it is a five line poem.   Tanka, one of the oldest of Japanese verse forms, dates back to before the 11th Century.  Tanka gained renewed popularity in the late 19th Century among radically modern young poets who brought its diction and subject matter up to date.  Historically, tanka is a precursor to renga, haikai, and haiku.
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The poems in Carved In Stone do not follow precisely the fixed syllabic count nor do they conform to many of the accepted tanka conventions but seek a synthesis and accommodation brought about by translation into a radically different language and culture.

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A few copies of Carved In Stone are still available from the publisher for $20 each plus shipping.  See How To Order for more information.

Limited Edition: All Ears

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All Ears

haikai no renga by Keith Kumasen Abbott, Pat Nolan, Maureen Owen & Michael Sowl

Renku PoetsAll Ears, a haikai no renga or linked verse, was the first of the collaborations between Maureen Owen, Keith Kumasen Abbott, Michael Sowl, and Pat Nolan to be made into a limited edition handmade book and was published by Empty Head Press in 2004.  Subsequently, Random Rocks and Poetry For Sale, both haikai no renga, were issued as limited edition handmade books(see Nualláin House archives for July 2013 and October 2012).  All Ears was also included in the anthology Saints of Hysteria, A Half Century of Collaborative American Poetry (Soft Skull Press, 2007).   

All Ears was composed through the mail over a period of a year and a half beginning in early 1992.  Once the 36 stanzas (kasen) of the haikai-no-renga were completed, each poet was asked to comment on the process in general, and on their own stanzas and those of their collaborators.  The arrangement of stanza follows the standard haikai form of 8 stanzas on the first sheet and 8 stanzas on the back sheet with the remaining 20 stanzas taking up the central text.  Following the haikai no renga and the commentary by the poets is the sequence showing the stanza assignment as well as which poets had the moon and flower stanzas.   

All Ears was bound using repurposed “sticks & strings” wallpaper sheets from a wallpaper sample book as cover stock and backed with Japanese silkscreen endpapers.  Each cover was unique in itself. The pages were folded vertically with a folded leading edge as is common in Japanese books.  Each book was hand sewn using a Japanese side stitch style known “tortoiseshell.”  The dimensions are 4.25×10 inches (10.5×16.5 cm).  Only a limited number of All Ears were produced and it is out of print. 

For more on the intriguing subject of Japanese Linked Verse, see Earl Miner’s Japanese Linked Poetry (Princeton, 1979), Hiroaki Sato’s One Hundred Frogs (Weatherhill, 1983), and Haruo Shirane’s Traces Of Dreams (Stanford, 1998).

To view a PDF facsimile of All Ears, click on ALL EARS 2004

Nualláin House So Far

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HELLOLIFEjHello Life by Gail King
Poetry; The poems of Hello Life achieve their freshness in the particularity of experience. The poet surrenders herself to the moment and tenders that subtle cognition as a delighted welcome to life. The ease of her expression in dealing with the everyday communicates an uncommon wisdom. The poems present, through playful understatement and sly humor, the immediacy of spontaneous impressions. Maureen Owen, former artistic director for The Poetry Project in NYC and author of Edges of Water and Erosion’s Pull, says “In Gail King’s poems the events of the day become transformative, the images of the temporary become immediate, and the mystery of being alive in the Now unfolds. “…time like a lake breeze” says the poet, and the wind rises.” Gail King’s poems have also won the praise of Andrei Codrescu, poet, novelist, essayist and NPR commentator, author of So Recent Rent A World, who said “Reading Gail King has always been one of my great poetry pleasures. Her inimitable voice narrates the world with humor and tenderness, a world of beauty and occasional sorrow. Her work has healing effects.”
 December 2013  ~  $16.00  ~  64 pages ~ Paper  ~  ISBN 978-0-9840310-3-0

 

The Last ResortThe Last Resort, A Lee Malone Adventure by Pat Nolan
Meta Pulp– Pat Nolan has written a fast paced, tongue-in-cheek, pun filled comedy of errors, misunderstandings, and faux intuition in the mode of a 1930’s pulp thriller to talk about the pulp fiction of that era.  In doing so, The Last Resort presents an unlikely set of circumstances in which a worldly-wise female reporter must untangle herself from her past in order to deal with the puzzling events of her present.  Rather than the typical splinter-jawed, broken nosed, tobacco breathed tough guy hero, Nolan upends the stereotype by introducing a gorgeous internationally famous former fashion model whose super power is her beauty.  THE LAST RESORT, A Lee Malone Adventure, is a quirky, entertaining recreation of the lurid screed that once peopled pulp pages on newsstands everywhere.
August 2012 ~ $19.99 ~ 212 pages ~ Paper~ ISBN 978-0-9840310-2-3

“Has-been supermodel Lee Malone retains her drop-dead gorgeous looks—and haute couture wardrobe—and uses them every chance she gets to solve a murder mystery and live to write about it in The Last Resort: A Lee Malone Adventure. Author Pat Nolan sets this labyrinthine adventure in his home turf along the Russian River communities, renamed the Corkscrew River in the book. Having survived a botched kidnap attempt and a rescue by a secret female militia, Malone seeks the “quiet life” among the redwoods. She writes puff pieces for the Corkscrew County Grapevine, but stumbles into a deeper, more sinister story. Nolan weaves his heroine’s backstory throughout, touching on issues of homelessness, sex slavery, pornography and ever-changing relationships in river communities, while retaining a sense of humor and comic relief.”
— North Bay Bohemian, Fall Literary Issue, 2012

                  

ontheroadfront300On The Road To Las Cruces, Being A Novel Account of The Last Day In The Life of A Legendary Western Lawman by Pat Nolan
Historical Fiction; On The Road To Las Cruces, a work of fiction tethered loosely to historical fact, is the story of the relationship between two men, one garrulous, the other taciturn, the Mutt and Jeff of the old Southwest.  What is related on the road to Las Cruces is as much a retelling of some history as it is how such a retelling might come about, and is represented in the manner of a tall tale, the deadpan details of a crime story, melodrama, and a conspiracy to murder. The road to Las Cruces is full of twists and turns.  The sound of a door slamming like a gunshot brings us into the world of the old Southwest and the gun violence of that historical era.  More than just the tale of a legendary lawman who remains nameless to the end, it is a lesson in storytelling and an allegory for how lives were lived and how death was dealt.  As much a dusty tale of buffalo hunts and shoot-outs as a politically driven “whodunit,” On The Road To Las Cruces is the story of youthful bravado and an old man’s regret.
November, 2011 ~ $16.99 ~ 154 pages ~ paper ~ ISBN 978-0-9840310-1-6

   “. . . a real old-fashioned Western. Page-turner. There are all sorts of funny sly mixes in the story, good Nolan humor, great repartee. . . .” – Andrei Codrescu, NPR commentator and author of Whatever Gets You Through The Night.                              

“Pat Nolan is not only one of our finest living poets. . . but now surprises with a prose paean to the West. Whatever Pat writes deserves to be read and remembered.” – Barry Gifford, author of Wild At Heart and Sailor And Lula

                                                                                                                    

 

 

 

 

What is being said about Gail King

Modern Poetry, Non-fiction, Poetry, , , , , , , , , , , , , , ,

Gail King lives in a shed and has been getting away with murder for years.  This can be explained in part by quoting Hugh Kenner who said “American genius (in literature) cannot be distinguished by a casual glance from charlatanry. Purity of intention lies at the heart of American achievement.”  

Of her recent book of poems, Hello Life, Keith Kumasen Abbott, professor emeritus and author of numerous books of poetry, prose, and non-fiction, including Downstream from Trout Fishing In America, a Memoir, says “In Hello Life Gail King often uses sleight of hand as she guides readers into a scene, a mood, a spiral, then disappears while events continue for us alone. Her art is beguiling, comic, candid and a pleasure.” 

Maureen Owen, former artistic director for The Poetry Project in NYC and author of many books of poems, including Edges of Water and Erosion’s Pull, says “In Gail King’s poems the events of the day become transformative, the images of the temporary become immediate, and the mystery of being alive in the Now unfolds. “…time like a lake breeze” says the poet, and the wind rises.”

Gail King’s previous book of poems, Boxes & Chair (What Leaf Press, 2006) won the praise of Andrei Codrescu, poet, novelist, essayist and NPR commentator, author of So Recent Rent A World, who said “Reading Gail King has always been one of my great poetry pleasures. Her inimitable voice narrates the world with humor and tenderness, a world of beauty and occasional sorrow. Her work has healing effects.”

Joanne Kyger, author of more than twenty books of poetry and prose, including About Now: Collected Poems, and recipient of the 2008 PEN Oakland Josephine Miles National Literary Award for Poetry said of Boxes & Chairs “. . .a lovely lovely book. . .with direct beauty of what actually happens. [The poems] are all about SOMETHING, not just states of mind mired in ‘language’.”

Gail King, a Bay Area native, has lived in the Northern California town of Monte Rio for over 40 years. She has written poetry all her adult life and was the publisher of Doris Green Editions, a small literary press active in the ‘70’s and ‘80’s.  Boxes & Chairs, her third selection of poems, was published by What Leaf Press in 2006. Many of the poems featured in that selection are included in Hello Life.

 

 

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December 2013  ~  $16.00  ~  64 pages ~ Paper  ~  ISBN 978-0-9840310-3-0

 now available from
Nualláin House, Publishers
Box 798 Monte Rio,California, 95462
(free shipping through December 31st, 2013)

 

 

 

 

 

 

 

 

 

The Nolan Anthology of Poetry, Volume II: The Modern Era

Modern Poetry, Non-fiction, Poetry, , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

anthcvr1The Nolan Anthology of Poetry, Volume II was published by Fell Swoop in 2003.  The first Nolan Anthology of Poetry was published in 1993 by the same New Orleans publisher.  Volume II (Fell Swoop #64) The Modern Era was printed in an unspecified print run using basically the same 8.5×11 stapled binding format as the first volume though designating them as “volumes” may be a bit of overstatement as each is only twenty pages in length printed on a single side of the page.  The cover design by the author was meant to replicate the pocket poetry books of the French publisher, Gallimard under the NRF (Nouvelle Revue Française) imprint.  Volume II, as did Volume I, represents a sampling from a variety of the author’s poetry manuscript unpublished at the time.  Since then the poems in the tanka sequence Light Years have been included in a handmade limited edition chap book entitled Carved In Stone (Empty Head Press, 2013).  The Chinese style poems were published as a selection entitled Exile In Paradise (Bamboo Leaf Studio, 2009), also as a handmade limited edition.  The prose poems were included in a handmade chap book entitled Intellectual Pretensions (edition de Jacob, 2009).

Click here for The Nolan Anthology of Poetry, Volume II: The Modern Era 2003

A word about Fell Swoop magazine whose stated mission, as per Editor Reverend XJ Dailey, is to destroy contemporary American poetry: this year marks the 30th Anniversary of their fitful yet courageously tenacious low tech existence.  They (3rd person plural used advisedly) will publish their 130th issue this November.  Past featured authors and contributors to Fell Swoop magazine include Andrei Codrescu, Aram Sayroyan, Bernadette Meyer, The Clark Coolidge, Sir Thomas Weigel, Richard Martin, Camille Martin, Lady Alice Notley, and Keith Kumasen Abbott to name just a few.  As an unpretentious and somewhat anachronistic photo copy (xerographic) publication, Fell Swoop harkens back to the more innocent days of the mimeograph revolution when such prehistoric publications as Fuck You, C, Blue Suede Shoes, The End, Life of Crime, and The World roamed the humid fecund swamps of Am Po’s armpit.  Though based in New Orleans, they represent one of the last unapologetic bastions of the New York School of Poets scattered to the four (or five) corners of the poetry universe after the passing of the Grand Himself, Ted Berrigan.  Fell Swoop keeps the flame alive to light another Chesterfield.   Their post-Katrina address is Po Box 740158 New Orleans, LA 70174.  Send them a bunch of cash, in one fell swoop.

 

Limited Edition: Jacks Or Better

Limited Editions, Modern Poetry, Non-fiction, Poetry, , , , , , , , , , , , , , ,

Jacks Or Better

by Pat Nolan

Jacks Or Better is a travel journal (kikobun) in the tradition of Basho’s Narrow Roads To Far Off Places.  The narrow road followed in this journal is the iron road, from San Francisco to rural Florida with stops in New Orleans and Baton Rouge.  It is a poet’s journey expressed as haibun in which descriptive or expressionistic prose is capped by a haiku-like poem that continues the thread, elucidates it, or offers a disparate juxtaposition.  Published by Egret Moon Press in 2011 in a limited edition of 36 copies. 38 pages hand-bound with Japanese stitching between grey repurposed paper covers, 7×7.25 inches (18x19cm).

 

jobfcvrfrom Jacks Or Better 

Although this is my first trip to New Orleans, I’ve taken trains across country before and have always found that if you’re on a schedule they are the last place to be.  But if you’re not in a hurry, they enforce a leisurely pace that is fast becoming antique. My final destination is Florida where I will visit with my parents.  The first leg will take most of three days. This trip is ostensibly about the anatomy of a friendship and the relationship between generations.  I will visit with Andrei Codrescu in New Orleans and lecture to his MA classes at Louisiana State University. 

Baton Rouge
“only place in America named
         after a dog’s dick”

 

 To view a pdf facsimile click JACKS OR BETTER 2011