Tag Archives: Bart Schneider

The Blurbs of 2018

31 Dec

the thousand marvels of every moment, 
a tanka collection
by pat nolan
Fall 2018, 124 pages, $16

Tanka is the modern name for a short five line poem known throughout the history of Japanese literature as a waka.  The short poems of the thousand marvels of every moment are composed of five lines in two stanzas.  The first stanza balances on the second, sometimes precariously, to pose a distinguishing match. The break between stanzas acts as a gap for synaptic sparks to jump. It also emphasizes its call and response origins serving as a binary exchange of verbal energy.  The two last lines in these poems tend to resolve them either as parallel breaths or as a single run-on semantic declaration.

Praise for the thousand marvels of every moment

“Pointing at the moon, the finger of the poet directs the reader to the object at hand, whether it be battered wisteria, her long neck, the black cat, or the poet ‘right in the middle of scribble.’  Every day life heightened in the moment ‘not forever now/the cool green leaves’”  —Lucille Friesen, poet

“Pat Nolan’s new collection of short poems the thousand marvels of every moment is a late harvest wonder. Distilled in the key of tanka, these poems make sparks out of crumpled paper & ‘fine white rain.’ No better description of the book than from within: 

through the particle haze dance
joy and marvel of the mind”

—Eric Johnson, poet, master printer

“Pat Nolan explains, in introducing the thousand marvels of every moment that tanka historically originated in call and response agricultural chants in long ago Japan. In Nolan’s modern tanka-like poems, the echoing is within the self, or between the self and the immediate world: the yard, the kitchen, the coffee cup, the coastal hills. Words are precise and vivid. Dream transitions suggest feelings and insights. Points of view shift. In ‘TV on too loud again’ the opening stanza seems to be listening to the neighborhood from within Nolan’s house, but in the final lines reverse:

 I am a portrait in a window
the garden looks on into 

Processes of life are very subtle reverberations in this finely wrought collection of modern tanka.”
—Ann Erickson, poet, painter

“When I was a little kid, we had a summer cabin on an inlet of south Puget Sound. By a dirt path near our place was a salmonberry bush. It must have been the end of June when I found it because it was full of ripe yellow-orange berries. I harvested the bush in a frenzy, filling up a big bowl, and ate its sweet fruit on a sunny beach. It was my first wild berry feast. Pat Nolan’s new book of tanka, the thousand marvels of every moment, brought back this tasty memory. Reading his beautifully crafted little poems is like picking berries from a bush.”
—Norman Schaefer, poet, author of Fool’s Gold and Lower Putah Song

 

SO MUCH Selected Poems Volume I
Handwritten Typewriter 1969-1989
by Pat Nolan
Spring 2018, 176 pages, $16

The title of this volume of Pat Nolan’s selected poems, So Much, references the seminal (and most divisive) poem of modern American poetry by William Carlos Williams about a red wheelbarrow, chickens, and rain. The poems in this selection were actualized and finalized beyond their handwritten originals on a typewriter hence the designation of this twenty year span from 1969 to 1989 as Handwritten Typewriter. In memory of Ted Berrigan, adherent to Whitman’s maverick impulse and O’Hara’s Personism, under the guidance of Schuyler and Whalen, with a nod to early 20th Century French poets and the sages of the East, and esteem for Anselm Hollo and Alice Notley, Pat Nolan’s poems hit all the right post-Beat, California School of New York Poets, Pacific Rim demotic notational ephemerist notes.

Praise for Pat Nolan’s poetry:

“Pat Nolan is one of the poets, Ted Berrigan once said, that you have to always keep an eye on because he can do unexpected startling things that leave you eating his dust.”
— Andrei Codrescu, author of So Recently Rent A World: New and Selected Poems, 1968-2012.

“Descriptions of nature so translucent we can only marvel how he weaves us into them, onward, around that eternal share of misfortune, bitter realization, and expectations gone wrong. This is Nolan’s secret power.  He engages us in magical transformation and will not let us look away.”
— Maureen Owen, author of Erosion’s Pull and Edges of Water

“. . .reminded me of James Joyce in that brief moments can become long & engrossing & turn the page for you despite any wishes thoughts & warnings you may have about more . . . .”
—Keith Kumasen Abbott, author of Downstream From Tour Fishing In America, A Memoir.

“Reading a book of Pat Nolan poems, I tell myself to breathe, to be mindful, because everything is here, from the Zen moment that never ends to the surreal architecture we live within.” 
—Bart Schneider, author of Nameless Dame


More titles available from Nualláin House, Publishers

 

On The Road To Las Cruces
Being A Novel Account of the Last Day In the Life of
A Legendary Western Lawman 
by Pat Nolan 

November 2011 —$16—154 pages —paper—ISBN  9780984031016 

The Last Resort,  A Lee Malone Adventure by Pat Nolan
August 2012—$20—212 pages —PaperISBN 9780984031023

Hello Life, Poems by Gail King
December 2013—$16—64 pages—Paper —ISBN 9780984031030

Your Name Here, New Poems by Pat Nolan
November 2014 —$16 — 80 pages—paper—ISBN 9780984031009

Poetry For Sale Haikai no Renga (linked verse)
Keith Kumasen Abbott, Sandy Berrigan, Gloria Frym, Steven Lavoie,

Pat Nolan, Maureen Owen, Michael Sowl, John Veglia
October 2015—$16—152 pages —paper—ISBN 9780984031047

Exile In Paradise by Pat Nolan
November 2017—$16—100 pages—paper—ISBN 9780984031054

To place your order select How To Order from the menu bar

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Handwritten Typewriter

8 Apr

HANDWRITTEN TYPEWRITER

The title of this volume of Pat Nolan’s selected poems, So Much, references the seminal (and most divisive) poem of modern American poetry by William Carlos Williams about a red wheelbarrow, chickens, and rain. The poems in this selection were actualized and finalized beyond their handwritten originals on a typewriter hence the designation of this twenty year span from 1969 to 1989 as Handwritten Typewriter.  In memory of Ted Berrigan, adherent to Whitman’s maverick impulse and O’Hara’s Personism, under the guidance of Schuyler and Whalen, with a nod to early 20th Century French poets and the sages of the East, and esteem for Anselm Hollo and Alice Notley, Pat Nolan’s poems hit all the right post-Beat, California School of New York Poets, Pacific Rim demotic notational ephemerist notes.

“If I have any purpose as a poet it is to remove myself from the musty authority of an entrenched academic conservatism and approach the word in its current state of utter mutability.  The poems selected here are representative of an acquired esthetic sourced outside of the doctrinaire Anglo-American literary tradition.  They do not aim at rhetoric nor do they seek to persuade.  Their primary intent is to present the fine distinctions of a perceptual identity in a uniquely spontaneous improvisational manner to the ear as well as to the page.  Sound and sense, discordant or melodious, over meaning equals poetry. The poems are also particularly anti-social in the implication that the forward progress of culture increasingly encapsulates individuals in their private auras. As such there is a specificity to each of the poems unique to my sensibility and experience as a poet that is not necessarily universal and insists that an effort be made to cross over into an extraordinarily unexceptional reality. Their reliance on chance operation corresponds to their reliance on chance appreciation.” —from So Much More 1969-1989


 Praise for Pat Nolan’s poetry:

“Pat Nolan is one of the poets, Ted Berrigan once said, that you have to always keep an eye on because he can do unexpected startling things that leave you eating his dust.”
— Andrei Codrescu, author of  So Recently Rent A World: New and Selected Poems, 1968-2012.

“Descriptions of nature so translucent we can only marvel how he weaves us into them, onward, around that eternal share of misfortune, bitter realization, and expectations gone wrong. This is Nolan’s secret power.  He engages us in magical transformation and will not let us look away.”
— Maureen Owen, author of Erosion’s Pull and Edges of Water

“. . .reminded me of James Joyce in that brief moments can become long & engrossing & turn the page for you despite any wishes thoughts & warnings you may have about more . . . .” —Keith Kumasen Abbott, author of Downstream From Tour Fishing In America, A Memoir.

“Reading a book of Pat Nolan poems, I tell myself to breathe, to be mindful, because everything is here, from the Zen moment that never ends to the surreal architecture we live within.”  —Bart Schneider, author of Nameless Dame


Pat Nolan’s poems, prose, and translations have appeared in literary magazines and anthologies in the US and Canada as well as in Europe and Asia.  He is the author of over a dozen books of poetry and two novels.  He also maintains Parole, the blog for the New Black Bart Poetry Society, and is co-founder of Nualláin House, Publishers. 


 

Selected Poems Volume I
SO MUCH
Handwritten Typewriter
1969-1989

by Pat Nolan

April, 2018~176 pages~$16~paper~ISBN 9780984031061

order now and receive free shipping

(offer good through April, 2018)

See How To Order for details

 

Terms, Conditions & Categories

1 Jul

Nualláin − (pronounced Noo-al-ayne) Celtic for the family name, Nolan, meaning noble or famous.  The Irish writer Brian O’Nualláin was also known as Brian O’Nolan, as well as by his most famous pseudonym, Flann O’Brien, author of At Swim-Two-Birds, The Third Policeman and The Dalkey Archives.
House – a business organization of like minded folk, kindred in their interest in the creative, bringing together years of experience in writing, self-publishing, book design, and book selling under one roof, peaked, in the shape of an open book (see logo on the masthead).
Publishers – a business or profession intent on making available literature of a particular genre, be it fiction, poetry or non-fiction, and often entered into more for personal satisfaction than financial gain.  The year 2011 marked the centennial of Brian O’Nualláin’s birth, a fitting beginning for Nualláin House, Publishers, and the publication of ON THE ROAD TO LAS CRUCES, A Novel Account of The Last Day In The Life of A Legendary Western Lawman by Pat Nolan (November, 2011).  Nualláin House, Publishers, will proceed on the assumption that what appeals to the editors might well appeal to other reasonably literate, intellectually curious readers.
Fiction – that which is made up, imaginatively, under the assumptions of possibility more than its probability irrespective of the truth; in short, fanciful lies.  Under the heading of fanciful lies, coming soon: THE LAST RESORT, A Lee Malone Adventure by Pat Nolan (August, 2012).
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ON THE ROAD TO LAS CRUCES

28 Jun

ON THE ROAD TO LAS CRUCES; Being A Novel Account of The Last Day In The Life of A Legendary Western Lawman

by Pat Nolan

Available Now from Nualláin House, Publishers  Box 798 Monte Rio, CA 95462   $16.99 + $5.00 shipping and handling

Pat Nolan’s first published novel, On The Road To Last Cruces; Being A Novel Account of The Last Day In The Life of A Legendary Western Lawman is the story of youthful bravado and an old man’s regret, and as much a dusty tale of buffalo hunts and shoot-outs as a politically driven “whodunit.”

Steeped in the lore of Western radio dramas, cliff-hanging serials, B Oaters, pulp shoot-em ups, and a steady diet of prime-time horse operas, it seems only fitting that Pat Nolan would have distilled his adolescent exposure into a seminal prose of understatement.  The violence in a man’s life, linked by subtle segues, passes as something not particularly unusual.  The consequences are not always evident on a path drawn by blind fate.  Nor is the identity of the Western lawman immediately apparent, as is obviously the author’s intent.  For those familiar with gunfighter sagas, catching the drift will be easy.

Pat Nolan starts right off by telling us what is going to happen, he then lays out the circumstances to what is about to happen, and finally we are privy to the last moment and its irresolution. Along the way, when the tools of law include deadly force, there are bound to be killings.  However there are no showdowns, no heroics, no fancy horsemanship, no arduous adversity, merely pain and regret, bitterness and rancor, and the consequences of another misstep.  It is a tragedy that lends itself to allegory.  It is lament as well as praise for a misunderstood legend of the Southwest.

            On The Road To Las Cruces is a work of fiction tethered loosely to historical fact.  It is the story of the relationship between two men, one garrulous, the other taciturn, the Mutt and Jeff of the old Southwest, and the tradition of storytelling and the authoring of ‘true’ accounts.  What is related on the road to Las Cruces is as much a retelling of some history as it is how such a retelling might come about, and is represented in the manner of a tall tale, the deadpan details of a crime story, melodrama, and a conspiracy to murder.

November, 2011 ~ $16.99 ~ 154 pages ~  978-0-9840310-1-6

Sample Chapters On The Road To Las Cruces Chapter 6  On The Road To Las Cruces Chapter 21   Author’s Note                       

“. . . a real old-fashioned Western.  Page-turner.  There are all sorts of funny sly mixes in the story, good Nolan humor, great repartee. . . .”
– Andrei Codrescu, NPR commentator and author of Whatever Gets You Through The Night.

“Pat Nolan is not only one of our finest living poets. . . but now surprises with a prose paean to the West.  Whatever Pat writes deserves to be read and remembered.”
– Barry Gifford, author of Wild At Heart and Sailor And Lula               

“. . . delight in the narrative style.  [T]ruly vivid. . . .  The book is damn good.”
– Eric Johnson, poet and master printer, Iota Press

“Pat Nolan has added a fresh chapter to our Western lore with this fine, crackling tale.”
– Bart Schneider, author of Nameless Dame and The Man In The Blizzard

“On the Road to Las Cruces takes us on a twilight journey through frontier history.  Nolan’s adroit and stylish prose intertwines death, betrayal, greed and conspiracy as each claims its victims.”
– Keith Abbott, author of Downstream From Trout Fishing In America

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