Tag Archives: Monte Rio

Michael Fisher, The Art of Illustration

10 Dec

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Free-lance Illustrator/Graphic Artist Michael Fisher has lived in Sonoma County for forty four years, primarily in the West County in and around the town of Monte Rio.  Over the years his illustrations and poster designs have been used to advertise scores of music venues, rock concerts, literary events and projects, and local businesses.  In the tradition of jack-of-all-(artistic) trades, Michael was once a popular bartender (perhaps the most popular) at the pre ’86 flood Village Inn in Monte Rio where between shaking, stirring, and pouring he managed to produce a pithy comic strip entitled Malice In Blenderland which was featured in Sonoma County’s original independent newspaper of the 70’s and 80’s, The Sonoma County Stump.

EPSON MFP imageAlong with his free-lance gigs as an illustrator, Michael was also active in the local musical theater scene where he was the featured performer for such popular productions as Little Shop of Horrors and Dracula-la.  And many will remember that he once fronted the oldies rock band, The Grey Cats, as lead singer and harmonica, and whose annual Halloween productions were delightfully beyond words.  Grey Cats flyers and concert posters designed by Michael Fisher are now considered collector’s items by the hip cognoscenti. Although probably apocryphal, it is believed that one of Michael’s early inspirations was Gypsy Rose Lee’s theme song, Let Me Entertain You.  His wit and spontaneity are always on display often centered on his awesome encyclopedic knowledge of arcane and weird pop trivia.  His playfulness and readiness to entertain served him well in his long career in children’s services where he was also just one of the kids.  Now retired, Michael is devoting himself to his first love, drawing, with nearly daily postings to his blog, Aldo & Me.

coverland11To say that Michael’s cartooning style is ‘old school’ might be an understatement.  Anyone familiar with the underground comics of the 60’s counterculture will recognize the stylistic similarities. The same wacky and irreverent world views of R. Crumb, S. Clay Wilson, and Gilbert Shelton are present in Michael’s panels.  However his influences in cartooning go back even further to the likes of Jimmy Hatlo, Al Capp’s L’il Abner, and Walt Kelly’s Pogo.  What is evident of Michael’s skills is a unique virtuosity and imagination as is amply expressed in the sold out limited edition of his 2017 Aldo & Me West Sonoma County Calendar. (As of this writing, a few were still available for sale at the 5&10 in Guerneville).  His versatility in illustration is not limited to a narrow range of renderings but encompasses the entire array of contemporary comic arts, from South Park and Peanuts to the Simpsons.

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A word about Michael Fisher’s virtuosity and range of illustrating talents: unique in an artist’s repertoire is the ability to see three dimensions and translate them into a depiction of two dimensions while providing the illusion of a third through modeling, shadowing, and textural crosshatching.  Michael is the master of all such techniques and his expert renditions testify to his imagination and illustrative skills.  Not unexpected for someone who has spent a lifetime perfecting his gift for illustration.  The accomplished depictions mirror a whimsical ruefully aware sensibility scripted in the dialogue bubbles as well as through the illusionist stroke of a drawn line and its suggestive minimalism, as demonstrated by a profound intuition of how the eye sees and distinguishes abstract representation.   Even the simplest of his sketches retain the vitality of their representation.  His knack for breaking down the visual world to its basic components enables him to present those objects in a variety of ways by re-imagining them as abstract design elements.

To the literate of the comic strip genre, the subtleties of a work of illustration lie beneath the message. As such cartoon depictions constitute a visual language. Michael is quite fluent in a variety of the style dialects of this language.  The near daily postings on his blog Aldo & Me attest not only to his genius as an illustrator but the seemingly inexhaustible consistency of his output.  The sheer creative energy expended can undoubtedly be measured in kilowatts.

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As compositions the drawings and sketches of an accomplished artist like Michael offer an originality in variation and theme that speaks of a unified aesthetic.  His command of the stylistic elements of the genre is truly astonishing.  Confident of his proficiency, he once made an offer to friends and fans alike to include any one of them in his blog strip and to depict them as any cartoon character or in any style they desired.  For a fee, of course.  Not surprisingly, a few jumped at the chance.  Presumably that offer is still in effect.

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courtesy of the King/Nolan Collection

Michael’s talented renditions are available for perusal as a three panel cartoon blog, Aldo & Me, where he has regularly posted his pithy and often wacky interactions and observations on the WordPress platform for the past five years.  For the most part the panels are joyful and lighthearted entertainment depicting the dialogue between a man and his dog (maybe that should be dogalogue) as observations and commentary on the vicissitudes of life.  On occasion, barbed and pointed sarcasm emerges from the mild mannered strip in the guise of the super illustrator, The Doodler (he of the pencil extension) and his faithful companion, large fanged enforcer Alldog. A humming bird and an extraterrestrial jelly fish also join in the discourse as does a South of the Border feline, Furnando.  The consciousness behind Aldo & Me exhibits an evolved earth conscious awareness of one of the intelligent of the species as represented by a temperate self-deprecating humor and playfulness whose discerning perceptions always hit their mark whether it is lampooning the pompous or jarring the funny bone.

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from Fundamental, Toy Poems (1983) by Pat Nolan-Stencil design by Michael Fisher

As with earlier (and rare) posters and flyers, Michael Fisher’s  Aldo & Me original panels are catching on with the more knowledgeable as must-have collector’s items.  It is a sure sign of being au courant to have a few signed Fishers tastefully framed on display throughout the household where a guest or visitor might happen upon them and be delighted by the remarkable talent, not to mention the possessor’s discerning taste.

 

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Although a California transplant by way of Florida (also known for its citrus), Michael Fisher has adopted an age old Californios tradition of migrating south from Alta California during its chilly, flood-prone rainy season to the sunny congenial climes of Baja California and the little village of Todos Santos on the Pacific shore.  There the artist can stretch out on his hammock, watch the lizards scurry along the walls of the hacienda, and bask in the leisure of his creative energy.  That’s where he is right now, knocking out terrific three panel entertainments such as these:

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Michael Fisher is a working artist and illustrator.  His almost daily exercises in the illustrators art can be viewed at aldome.wordpress.com.  Once on site, intrepid internet travelers can click on the Aldo’s Shop & Bark link in the sidebar (on the left hand side just below the header) to sample some of the pencil magic available for purchase, as well as information on how to get in touch with Michael and make one of his fantastic works of art your own.


 

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Hello Life, Poems by Gail King

15 Nov

Coming in December!
New from Nualláin House, Publishers!!!
Order now and get free shipping!!
(offer good through December 31st, 2013)

HELLO LIFE

Poems by Gail King

The poems of Hello Life achieve their freshness in the particularity of experience. The poet surrenders herself to the moment and tenders that subtle cognition as a delighted welcome to life. The ease of her expression in dealing with the everyday communicates an uncommon wisdom. The poems present, through playful understatement and sly humor, the immediacy of spontaneous impressions.
  

SOME DAYSHELLOLIFEj

Some days
there is fog
that rolls
down the hills
and pours
like great waterfalls
off the land
to disappear into the sea
and you can drive
in and out of fog streams
and see a line in the air
where sunlight turns to shadow
behind hills

In Hello Life Gail King often uses sleight of hand as she guides readers into a scene, a mood, a spiral, then disappears while events continue for us alone. During Flood of 95 she directs our camera eyes through wreckage and despair − then fades away; and each reader is morphing through slippery endings. “ inside we walk on cardboard/ make ourselves tough to stand it/ months down the road our anger will/ burst upon us/ now the green is good and there are/  plum blossoms”  Her art is beguiling, comic, candid and a pleasure. −Keith Abbott, author of Downstream from Trout Fishing in America, A Memoir and The First Thing Coming

Gail King, a Bay Area native, has lived in the Northern California town of Monte Rio for over 40 years. She has written poetry all her adult life and was the publisher of Doris Green Editions, a small literary press active in the ‘70’s and ‘80’s.  Boxes & Chairs, her third selection of poems, was published by What Leaf Press in 2006. Many of the poems featured in that selection are included in Hello Life.

December 2013  ~  $16.00  ~  64 pages ~ Paper  ~  ISBN 978-0-9840310-3-0

Praise for Boxes & Chairs

“Reading Gail King has always been one of my great poetry pleasures. Her inimitable voice narrates the world with humor and tenderness, a world of beauty and occasional sorrow. Her work has healing effects.” − Andrei Codrescu, NPR commentator and author of So Recently Rent A World 

“. . .a lovely lovely book. . .with direct beauty of what actually happens. [The poems] are all about SOMETHING, not just states of mind mired in ‘language’.”   − Joanne Kyger, poet, author of About Now, Collected Poems

To be the first on your block to get a copy of Hello Life click on How To Order on the menu line above


 

 

 

Limited Edition: Ah Bolinas!

3 Dec

Ah Bolinas!
A Travel Journal

by Pat Nolan
   
 

In the late fall of 1984, Pat Nolan was invited by Joanne Kyger to read his poetry as part of a reading series held at the Bolinas Library.  Nolan later memorialized the event in a Japanese style travel diary(nikki) similar to those written by Basho on his various journeys to visit other poets and collaborate on linked verse (haikai no renga). It was originally published in Andrei Codrescu’s Exquisite Corpse in 2000 as To Bolinas And Back.  As published in  limited edition, the prose and poems in Ah Bolinas! are organized in a manner similar to those found in the Japanese form, haibun.  

In 2010 Not My Hat Press issued the travel journal now titled Ah Bolinas! in a limited edition of 26 signed copies, lettered A through Z and accompanied by four original linoleum block prints.  The covers are printed on a heavy weight mulberry washi with Japanese silk screen end papers and bound in the Japanese four hole style.  The blocks were carved by the author and printed with the generous assistance of master printer Les Ferriss of Healdsburg, CA.   4×5.63 (10.2×14.1 cm) 

To view a pdf facsimile, please click AH BOLINAS 2010

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