Category Archives: Modern Poetry

Scenes From A Publication Party At Iota Press

Iota Brdside DTHere are a few pictures from the publication party for Pat Nolan’s Your Name Here held on Sunday, November 9th, 2014 at the Iota Press Printery in Sebastopol, California.  Many thanks to Eric, judi and the rest of the Iota Cooperative of Fine Printers for hosting this splendid event.  A few remaining copies of the broadside featuring an original linoleum print of Dylan Thomas from Pat Nolan’s Smoking Poets series and the poem Advice To A Young Poet from Your Name Here signed with the author’s seal are still available for those who did not have the opportunity to attend the publication party due to previous engagements or geographic constraints.  For a free copy send $2 USD (check, or money order made out to ‘Pat Nolan’ or cash) to cover shipping and handling to  Nualláin House, Publishers  Box 798  Monte Rio, CA 95462


 

 


 

ericiota2For those living in the North Bay latitudes of Northern California, Iota Press wishes to invite you to their 5th Annual Open House on Sunday, Dec. 7th, from 2:00-6:00.  Please come and help celebrate their first year in the new and bigger shop space at the printery behind the BeeKind Honey Store, 925D Gravenstein Hwy. South in Sebastopol.

The occasion will also be  the launch party for their third annual collaborative work, eRrAtiCa 3. This year it is in the form of a portfolio of broadsides, representative of the kind of work each of the members are working on right now. There will also be a demonstration of printing, and impromptu poetry might be read. Maybe some promptu as well. As usual wine and food will be provided, and there will be a table of things for sale.

 

Praise for YOUR NAME HERE

 

Praise for Your Name Here, New Poems
by Pat Nolan

“The book itself takes no prisoners.”
—Lucille Friesen, poet, printer

“Pat Nolan is one of the poets, Ted Berrigan once said, that you have to always keep an eye on because he can do unexpected startling things that leave you eating his dust. What was once “irony,” which is that generous distance of youth regarding itself in the odd act of “seeing” and “scratching” words became an essential tool to survive as poet. Pat Nolan’s poetry has indeed survived, with the help of not just the luxury of irony, but also the blending of his secretly bilingual (French-Canadian and American) language, his intensely questioned, but never renounced, faith in poetry. Add to this work, the joyous and extensive reading of a profound autodidact with an active and sometimes polemical involvement in the “literary scenes” of the West and East coasts for better than half a century, and you have, standing suddenly in front of you, a poetry giant.”
— Andrei Codrescu, author of Bibliodeath: My Archives (with Life in Footnotes), and So Recently Rent a World: New and Selected Poems, 1968-2012.

“Nolan’s painterly sensitivity unfolds a delicate beauty that breathtakingly fuses nature with a Surrealistic philosophic questioning and meditative soul searching. Descriptions of nature so translucent we can only marvel how he weaves us into them, onward, around that eternal share of misfortune, bitter realization, and expectations gone wrong. This is Nolan’s secret power.  He engages us in magical transformation and will not let us look away.”
— Maureen Owen, author of Erosion’s Pull and Edges of Water

“. . .reminded me of James Joyce in that brief moments can become long & engrossing & turn the page for you despite any wishes thoughts & warnings you may have about more . . . .”
—Keith Abbott, poet, professor emeritus, and author of Downstream From Trout Fishing In America, A Memoir.

“The poems glow with insight and wit as they simply monitor the flow of a mind steeped in Chinese poetry, bebop, the Russian River, the beats, the birds, Heraclitus. . . .  [Nolan] in his own words, is an alphabet male.  And despite the breadth of his learning and thought, is always just talking from right here.  It’s a hell of a book.”
—Eric Johnson, poet and print master at Iota Press.

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Never one to settle into a style, Pat Nolan has made of his poetry an exploration of other poetries and of the numerous ways a poem can be.  As an adherent of the Philip Whalen Buddhist-inspired “mind moving” school, he holds to the idea that the poem is framed sentience. Just as the observed world is an occasion of subjectivity, it also mirrors the self in a way that reflects objectively.  The poems in Your Name Here revolve around that quantum axis with seemingly random discontinuities that do not pin down meaning but are left to mean themselves.  Written to be heard by the mind’s ear, Nolan’s poetry enacts a sub-vocal monologue that is like the murmur of cosmic background radiation, noticeable only in its cessation or as pauses when the mind registers the sum of discrete moments in an instant.

November 2014 ~ 80 pages ~ $16 ~ paper ~ ISBN 978-0-9840310-0-9

Now available, click on How To Order on the menu bar to learn how.

Poet, translator, editor, publisher Pat Nolan is the author of over a dozen poetry selections and two novels.  He is the founder of Nualláin House, Publishers, and maintains The New Black Bart Poetry Society’s blog, Parole (thenewblackbartpoetrysociety.wordpress.com).  His work has been published in numerous national and international literary magazines and included in late 20th Century poetry anthologies and collections. He has recently begun posting his online serial novel, Ode To Sunset (odetosunset.com), about poets and poetry, death and dying. He lives along the lower Russian River in Northern California.


For readers in the North Bay latitudes of Northern California, join Pat Nolan for a publication party on November 9th.

 

Nualláin House, Publishers
&
Iota Press
invite you to

a publication party

Sunday Nov 9th
1:30 to 3:30 PM

for Pat Nolan’s
new book of poems

Your Name Here

at the Iota Press printery
925-D Gravenstein Hwy. South
Sebastopol CA
(behind  BeeKind)
Meet the author, book signing and sales,
refreshments in a convivial literary atmosphere
Caution: some poetry will be read

 

 

Your Name Here, Pre-Publication Offer

Order advance copies now and get free shipping!!

Your Name Here
New Poems

By Pat Nolan 

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“The chief characteristic of the mind is to be consistently describing itself.”
− Henri Focillon (1881−1943)

 

Never one to settle into a style, Pat Nolan has made of his poetry an exploration of other poetries and of the numerous ways a poem can be.  As an adherent of the Philip Whalen Buddhist-inspired “mind moving” school, he holds to the idea that the poem is framed sentience. Just as the observed world is an occasion of subjectivity, it also mirrors the self in a way that reflects objectively.  The poems in Your Name Here revolve around that quantum axis with seemingly random discontinuities that do not pin down meaning but are left to mean themselves.  Written to be heard by the mind’s ear, Nolan’s poetry enacts a sub-vocal monologue that is like the murmur of cosmic background radiation, noticeable only in its cessation or as pauses when the mind registers the sum of discrete moments in an instant.

November 2014 ~ 80 pages ~ $16 ~ paper ~ ISBN 978-0-9840310-0-9

 

 Advance praise for Your Name Here 

“Pat Nolan is one of the poets, Ted Berrigan once said, that you have to always keep an eye on. . .because he can do unexpected startling things that leave you eating his dust.”
— Andrei Codrescu, author of Bibliodeath: My Archives (with Life in Footnotes), and So Recently Rent a World: New and Selected Poems, 1968-2012

“. . .Nolan’s secret power. . .engages us in magical transformation and will not let us look away.”
— Maureen Owen, author of Erosion’s Pull and Edges of Water     

Poet, translator, editor, publisher Pat Nolan is the author of over a dozen poetry selections and two novels.  He is the founder of Nualláin House, Publishers, and maintains The New Black Bart Poetry Society’s blog, Parole (thenewblackbartpoetrysociety.wordpress.com).  His work has been published in numerous national and international literary magazines and included in late 20th Century poetry anthologies and collections.  He lives along the lower Russian River in Northern California.

YOUR NAME HERE Preview

Your Name Here
New Poems

By Pat Nolan

 

“The chief characteristic of the mind is to be consistently describing itself.”
− Henri Focillon (1881−1943)

 
YNHcvrjNever one to settle into a style, Pat Nolan has made of his poetry an exploration of other poetries and of the numerous ways a poem can be. As an adherent of the Philip Whalen Buddhist-inspired “mind moving” school, he holds to the idea that the poem is framed sentience. Just as the observed world is an occasion of subjectivity, it also mirrors the self in a way that reflects objectively. The poems in Your Name Here revolve around that quantum axis with seemingly random discontinuities that do not pin down meaning but are left to mean themselves. Written to be heard by the mind’s ear, Nolan’s poetry enacts a sub-vocal monologue that is like the murmur of cosmic background radiation, noticeable only in its cessation or as pauses when the mind registers the sum of discrete moments in an instant.

November 2014 ~ 80 pages ~ $16 ~ paper ~ ISBN 978-0-9840310-0-9

 Preorder now and get free shipping
Click here for YOUR NAME HERE Preview

 

Advance praise for Your Name Here

Pat Nolan is one of the poets, Ted Berrigan once said, that you have to always keep an eye on. That’s not because he might suddenly win all the prizes the world owes you, but because he can do unexpected startling things that leave you eating his dust. Some poets are like that: they start slow and lazy as if life was enough, and then rev it up to some speed you thought only angels can get up to. Pat Nolan didn’t start slow, he started accurately, determined to be in the world without missing anything, not the wind in the trees, not the work of his contemporaries, not the changes of seasons or times. Like the Chinese poets Kenneth Rexroth translated, Nolan was always spare and articulate, attentive to beauty and impatient with sloppiness. Through the decades, his attention to nature, people, and his own observance of them, never wavered, but the onset of time, layer after imperceptible layer, kept adding meaning and sobriety to the clarity of his born-wise voice. What was once “irony,” which is that generous distance of youth regarding itself in the odd act of “seeing” and “scratching” words became an essential tool to survive as poet. Pat Nolan’s poetry has indeed survived, with the help of not just the luxury of irony, but also the blending of his secretly bilingual (French-Canadian and American) language, his intensely questioned, but never renounced, faith in poetry. His sense of wonder, sometimes wary and wise, often surprised, is always in and of the world around him, even when it flees playfully with the early heroes of French comic superheroes like Fantomas. Add to this work, the joyous and extensive reading of a profound autodidact with an active and sometimes polemical involvement in the “literary scenes” of the West and East coasts for better than half a century, and you have, standing suddenly in front of you, a poetry giant. I hope you’ve kept an eye on him, like I did, because with Your Name Here, he is indeed compelling all poets to put their name there. And when they do, amazing things happen. Go on, try it.

— Andrei Codrescu, author of Bibliodeath: My Archives (with Life in Footnotes), and So Recently Rent a World: New and Selected Poems, 1968-2012.

 

We hear in these works a kinship to that most glorious free spirit of the Tang Dynasty, Tu Fu. One can almost imagine Pat Nolan building himself a thatched hut and living the life of a farmer. Matching the light brush of that Master, Nolan’s painterly sensitivity unfolds a delicate beauty that breathtakingly fuses nature with a Surrealistic philosophic questioning and the meditative soul searching of a Sumi wash. Descriptions of nature so translucent we can only marvel how he weaves us into them, onward, around that eternal share of misfortune, bitter realization, and expectations gone wrong. This is Nolan’s secret power. He engages us in magical transformation and will not let us look away.

— Maureen Owen, author of Erosion’s Pull and Edges of Water

 

Poet, translator, editor, publisher Pat Nolan is the author of over a dozen poetry selections and two novels. He is the founder of Nualláin House, Publishers, and maintains The New Black Bart Poetry Society’s blog, Parole (thenewblackbartpoetrysociety.wordpress.com). His work has been published in numerous national and international literary magazines and included in late 20th Century poetry anthologies and collections. He lives along the lower Russian River in Northern California.

 

 

Your Name Here — New Poems by Pat Nolan

Coming this Fall

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Your Name Here
New Poems

By Pat Nolan

 

The chief characteristic of the mind is to be
consistently describing itself.”

                        − Henri Focillon (1881 – 1943)

 

Pre-order and get free shipping

November 2014 ~ $16 ~ paper ~ ISBN 978-0-9840310-0-9

Advance Praise for Your Name Here

Pat Nolan is one of the poets, Ted Berrigan once said, that you have to always keep an eye on. That’s not because he might suddenly win all the prizes the world owes you, but because he can do unexpected startling things that leave you eating his dust. Some poets are like that: they start slow and lazy as if life was enough, and then rev it up to some speed you thought only angels can get up to. Pat Nolan didn’t start slow, he started accurately, determined to be in the world without missing anything, not the wind in the trees, not the work of his contemporaries, not the changes of seasons or times. Like the Chinese poets Kenneth Rexroth translated, Nolan was always spare and articulate, attentive to beauty and impatient with sloppiness. Through the decades, his attention to nature, people, and his own observance of them, never wavered, but the onset of time, layer after imperceptible layer, kept adding meaning and sobriety to the clarity of his born-wise voice. What was once “irony,” which is that generous distance of youth regarding itself in the odd act of “seeing” and “scratching” words became an essential tool to survive as poet. Pat Nolan’s poetry has indeed survived, with the help of not just the luxury of irony, but also the blending of his secretly bilingual (French-Canadian and American) language, his intensely questioned, but never renounced, faith in poetry. His sense of wonder, sometimes wary and wise, often surprised, is always in and of the world around him, even when it flees playfully with the early heroes of French comic superheroes like Fantomas. Add to this work, the joyous and extensive reading of a profound autodidact with an active and sometimes polemical involvement in the “literary scenes” of the West and East coasts for better than half a century, and you have, standing suddenly in front of you, a poetry giant. I hope you’ve kept an eye on him, like I did, because with Your Name Here, he is indeed compelling all poets to put their name there. And when they do, amazing things happen. Go on, try it.
— Andrei Codrescu author of Bibliodeath: My Archives (with Life in Footnotes),  and So Recently Rent a World: New and Selected Poems, 1968-2012).

 We hear in these works a kinship to that most glorious free spirit of the Tang Dynasty, Tu Fu. One can almost imagine Pat Nolan building himself a thatched hut and living the life of a farmer. Matching the light brush of that Master, Nolan’s painterly sensitivity unfolds a delicate beauty that breathtakingly fuses nature with a Surrealistic philosophic questioning and the meditative soul searching of a Sumi wash. Descriptions of nature so translucent we can only marvel how he weaves us into them, onward, around that eternal share of misfortune, bitter realization, and expectations gone wrong. This is Nolan’s secret power. He engages us in magical transformation and will not let us look away.
— Maureen Owen, author of Erosion’s Pull and Edges of Water

Poet, translator, editor, publisher Pat Nolan is the author of over a dozen poetry selections and two novels. He is the founder of Nualláin House, Publishers, and maintains The New Black Bart Poetry Society’s blog, Parole. His work has been published in numerous national and international literary magazines and included in late 20th Century poetry anthologies and collections. He lives along the lower Russian River in Northern California.

Smoking Poets

 

bambooleafchopNualláin House, Publishers, in partnership with Bamboo Leaf Studio, is offering limited edition linoleum prints of Smoking Poets, an ongoing series of author prints by Pat Nolan. The smoking poets in this in series include Blaise Cendrars, Pierre Reverdy, Dylan Thomas, Samuel Beckett, Ted Berrigan, Charles Bukowski, Roberto Bolaño, and the muse of amusement, Marcel Duchamp.

 

The Smoking Poets

duchampstmpgrp1Blaise Cendrars, edition of 50, 5×7” (12.7×17.78 cm) printed on unbleached mulberry paper, $30 US each

 

 

 

 

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Samuel Beckett, edition of 50, 5×7” (12.7×17.78 cm) printed on unbleached mulberry paper, $30 US each

 

 

 

 

duchampstmpgrp5

Pierre Reverdy, edition of 50, 4×5” (10.16×12.7 cm) printed on unbleached mulberry paper, $25 US each

 

 

 

duchampstmpgrp4

Dylan Thomas, edition of 50, 4×5” (10.16×12.7 cm) printed on unbleached mulberry paper, $25 US each

 

 

 

 

duchampstmpgrp8

Ted Berrigan, edition of 50, 5×7” (12.7×17.78 cm) printed on unbleached mulberry paper, $30 US each

 

 

 

 

duchampstmpgrp2

Charles Bukowski, edition of 50, 5×7” (12.7×17.78 cm) printed on unbleached mulberry paper, $30 US each

 

 

 

 

duchampstmpgrp6

Roberto Bolaño, edition of 50, 5×7” (12.7×17.78 cm) printed on unbleached mulberry paper, $30 US each

 

 

 

 

duchampstmpgrp

Marcel Duchamp, edition of 50, 8×10 (20.32×25.4 cm) printed on unbleached mulberry paper, $40 US each

 

 

 

 

How To Order: Send check, money order, or cash to Nualláin House, Publishers Box 798 Monte Rio, CA 95462. Include $5 shipping for single prints. Purchase more than one print and receive free shipping. Make checks and money orders payable to ‘Pat Nolan.’
Special offer: purchase all the Smoking Poets and receive the Marcel Duchamp print free, compliments of Bamboo Leaf Studio.

 

Artist’s Statement:   

I first came to print making through an avid interest in Ukiyo-e prints, in the process amassing a large number of monographs, museum catalogs, and anthology representations of floating world artists who were popular in Japan in the 18th to the late 19th century. The subdued palette of basic colors reminded me of the color funny papers and comic books that were a consuming interest when I was a youngster. The more I learned about the art of Japanese print making, the more I came to appreciate 20th Century artists and the powerful simplicity of black and white prints in the hands of masters like Munakata, Unichi, and Okuyama. My by-now obsession with Japanese prints was kicked up a notch when I began collecting affordable reproductions of the Edo masters as well as original work by contemporary artists. The next level was to try my hand at making prints of my own. I had better luck carving linoleum blocks than I did wood and took the path of least resistance. I knew I wanted to work with and/or adapt the Japanese motifs I was familiar with. I had the idea of making Buddhist inspired prints featuring original homilies (“Kicked a clump of dirt – my return address”) since some of the earliest Japanese prints were devotional prints sold to pilgrims traveling to various shrines and temples. I also wanted to attempt portraits of literary personages, poets primarily, in the manner of Kabuki actor prints. My emphasis is black and white, printing with water soluble ink on mulberry paper, and, in most instances, letting the uncarved portions of the block define the picture plane. The blocks are printed by hand using a variety of barens and multiple inkings.

The Smoking Poets idea came to me after I had completed the Samuel Beckett print. As the idea took shape and I searched for images of poets smoking, I visualized it as an on-going series with the muse of amusement, Marcel Duchamp, as the centerpiece of this modern literary conclave.

Pat Nolan, Monte Rio, 6/1/2014

duchampstmpgrport

 

 

Limited Edition: Lyre Liar


lyreliarcvrfLyre Liar,
a poem by Pat Nolan, was published by Bamboo Leaf Studio in 2012 in a limited numbered edition of 12 signed by the author with his seal. The cover is printed on a heavy weight Reeves print paper and folded as a clamshell as the platform for the fanfold poem. A band of washi with the author’s seal secures the clamshell closed. The endpapers are Japanese silkscreened patterns imported from Kyoto. Lyre Liar measures 9×7.75 inches (22.7×19.6 cm) open and 9×3 7/8 inches (22.7×9.8cm) closed. The fanfold poem is printed on an unbleached washi and measures 9×20.5 inches (22.7×52 cm) fully extended. Lyre Liar is out of print in this edition.

 

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Click LYRE LIAR 2012 to view a pdf facsimile.

Nualláin House So Far

HELLOLIFEjHello Life by Gail King
Poetry; The poems of Hello Life achieve their freshness in the particularity of experience. The poet surrenders herself to the moment and tenders that subtle cognition as a delighted welcome to life. The ease of her expression in dealing with the everyday communicates an uncommon wisdom. The poems present, through playful understatement and sly humor, the immediacy of spontaneous impressions. Maureen Owen, former artistic director for The Poetry Project in NYC and author of Edges of Water and Erosion’s Pull, says In Gail King’s poems the events of the day become transformative, the images of the temporary become immediate, and the mystery of being alive in the Now unfolds. “…time like a lake breeze” says the poet, and the wind rises.” Gail King’s poems have also won the praise of Andrei Codrescu, poet, novelist, essayist and NPR commentator, author of So Recent Rent A World, who said “Reading Gail King has always been one of my great poetry pleasures. Her inimitable voice narrates the world with humor and tenderness, a world of beauty and occasional sorrow. Her work has healing effects.”
December 2013  ~  $16.00  ~  64 pages ~ Paper  ~  ISBN 978-0-9840310-3-0

 

The Last ResortThe Last Resort, A Lee Malone Adventure by Pat Nolan
Meta Pulp– Pat Nolan has written a fast paced, tongue-in-cheek, pun filled comedy of errors, misunderstandings, and faux intuition in the mode of a 1930’s pulp thriller to talk about the pulp fiction of that era.  In doing so, The Last Resort presents an unlikely set of circumstances in which a worldly-wise female reporter must untangle herself from her past in order to deal with the puzzling events of her present.  Rather than the typical splinter-jawed, broken nosed, tobacco breathed tough guy hero, Nolan upends the stereotype by introducing a gorgeous internationally famous former fashion model whose super power is her beauty.  THE LAST RESORT, A Lee Malone Adventure, is a quirky, entertaining recreation of the lurid screed that once peopled pulp pages on newsstands everywhere.
August 2012 ~ $19.99 ~ 212 pages ~ Paper~ ISBN 978-0-9840310-2-3

“Has-been supermodel Lee Malone retains her drop-dead gorgeous looks—and haute couture wardrobe—and uses them every chance she gets to solve a murder mystery and live to write about it in The Last Resort: A Lee Malone Adventure. Author Pat Nolan sets this labyrinthine adventure in his home turf along the Russian River communities, renamed the Corkscrew River in the book. Having survived a botched kidnap attempt and a rescue by a secret female militia, Malone seeks the “quiet life” among the redwoods. She writes puff pieces for the Corkscrew County Grapevine, but stumbles into a deeper, more sinister story. Nolan weaves his heroine’s backstory throughout, touching on issues of homelessness, sex slavery, pornography and ever-changing relationships in river communities, while retaining a sense of humor and comic relief.”
— North Bay Bohemian, Fall Literary Issue, 2012

                  

ontheroadfront300On The Road To Las Cruces, Being A Novel Account of The Last Day In The Life of A Legendary Western Lawman by Pat Nolan
Historical Fiction; On The Road To Las Cruces, a work of fiction tethered loosely to historical fact, is the story of the relationship between two men, one garrulous, the other taciturn, the Mutt and Jeff of the old Southwest.  What is related on the road to Las Cruces is as much a retelling of some history as it is how such a retelling might come about, and is represented in the manner of a tall tale, the deadpan details of a crime story, melodrama, and a conspiracy to murder. The road to Las Cruces is full of twists and turns.  The sound of a door slamming like a gunshot brings us into the world of the old Southwest and the gun violence of that historical era.  More than just the tale of a legendary lawman who remains nameless to the end, it is a lesson in storytelling and an allegory for how lives were lived and how death was dealt.  As much a dusty tale of buffalo hunts and shoot-outs as a politically driven “whodunit,” On The Road To Las Cruces is the story of youthful bravado and an old man’s regret.
November, 2011 ~ $16.99 ~ 154 pages ~ paper ~ ISBN 978-0-9840310-1-6

   “. . . a real old-fashioned Western. Page-turner. There are all sorts of funny sly mixes in the story, good Nolan humor, great repartee. . . .” – Andrei Codrescu, NPR commentator and author of Whatever Gets You Through The Night.                              

“Pat Nolan is not only one of our finest living poets. . . but now surprises with a prose paean to the West. Whatever Pat writes deserves to be read and remembered.” – Barry Gifford, author of Wild At Heart and Sailor And Lula

                                                                                                                    

 

 

 

 

What is being said about Gail King

Gail King lives in a shed and has been getting away with murder for years.  This can be explained in part by quoting Hugh Kenner who said “American genius (in literature) cannot be distinguished by a casual glance from charlatanry. Purity of intention lies at the heart of American achievement.”  

Of her recent book of poems, Hello Life, Keith Kumasen Abbott, professor emeritus and author of numerous books of poetry, prose, and non-fiction, including Downstream from Trout Fishing In America, a Memoir, says In Hello Life Gail King often uses sleight of hand as she guides readers into a scene, a mood, a spiral, then disappears while events continue for us alone. Her art is beguiling, comic, candid and a pleasure.” 

Maureen Owen, former artistic director for The Poetry Project in NYC and author of many books of poems, including Edges of Water and Erosion’s Pull, says In Gail King’s poems the events of the day become transformative, the images of the temporary become immediate, and the mystery of being alive in the Now unfolds. “…time like a lake breeze” says the poet, and the wind rises.”

Gail King’s previous book of poems, Boxes & Chair (What Leaf Press, 2006) won the praise of Andrei Codrescu, poet, novelist, essayist and NPR commentator, author of So Recent Rent A World, who said “Reading Gail King has always been one of my great poetry pleasures. Her inimitable voice narrates the world with humor and tenderness, a world of beauty and occasional sorrow. Her work has healing effects.”

Joanne Kyger, author of more than twenty books of poetry and prose, including About Now: Collected Poems, and recipient of the 2008 PEN Oakland Josephine Miles National Literary Award for Poetry said of Boxes & Chairs “. . .a lovely lovely book. . .with direct beauty of what actually happens. [The poems] are all about SOMETHING, not just states of mind mired in ‘language’.”

Gail King, a Bay Area native, has lived in the Northern California town of Monte Rio for over 40 years. She has written poetry all her adult life and was the publisher of Doris Green Editions, a small literary press active in the ‘70’s and ‘80’s.  Boxes & Chairs, her third selection of poems, was published by What Leaf Press in 2006. Many of the poems featured in that selection are included in Hello Life.

 

 

HELLOLIFEj

December 2013  ~  $16.00  ~  64 pages ~ Paper  ~  ISBN 978-0-9840310-3-0

 now available from
Nualláin House, Publishers
Box 798 Monte Rio,California, 95462
(free shipping through December 31st, 2013)

 

 

 

 

 

 

 

 

 

Hello Life, Poems by Gail King

Coming in December!
New from Nualláin House, Publishers!!!
Order now and get free shipping!!
(offer good through December 31st, 2013)

HELLO LIFE

Poems by Gail King

The poems of Hello Life achieve their freshness in the particularity of experience. The poet surrenders herself to the moment and tenders that subtle cognition as a delighted welcome to life. The ease of her expression in dealing with the everyday communicates an uncommon wisdom. The poems present, through playful understatement and sly humor, the immediacy of spontaneous impressions.
  

SOME DAYSHELLOLIFEj

Some days
there is fog
that rolls
down the hills
and pours
like great waterfalls
off the land
to disappear into the sea
and you can drive
in and out of fog streams
and see a line in the air
where sunlight turns to shadow
behind hills

In Hello Life Gail King often uses sleight of hand as she guides readers into a scene, a mood, a spiral, then disappears while events continue for us alone. During Flood of 95 she directs our camera eyes through wreckage and despair − then fades away; and each reader is morphing through slippery endings. “ inside we walk on cardboard/ make ourselves tough to stand it/ months down the road our anger will/ burst upon us/ now the green is good and there are/  plum blossoms”  Her art is beguiling, comic, candid and a pleasure. −Keith Abbott, author of Downstream from Trout Fishing in America, A Memoir and The First Thing Coming

Gail King, a Bay Area native, has lived in the Northern California town of Monte Rio for over 40 years. She has written poetry all her adult life and was the publisher of Doris Green Editions, a small literary press active in the ‘70’s and ‘80’s.  Boxes & Chairs, her third selection of poems, was published by What Leaf Press in 2006. Many of the poems featured in that selection are included in Hello Life.

December 2013  ~  $16.00  ~  64 pages ~ Paper  ~  ISBN 978-0-9840310-3-0

Praise for Boxes & Chairs

“Reading Gail King has always been one of my great poetry pleasures. Her inimitable voice narrates the world with humor and tenderness, a world of beauty and occasional sorrow. Her work has healing effects.” − Andrei Codrescu, NPR commentator and author of So Recently Rent A World 

“. . .a lovely lovely book. . .with direct beauty of what actually happens. [The poems] are all about SOMETHING, not just states of mind mired in ‘language’.”   − Joanne Kyger, poet, author of About Now, Collected Poems

To be the first on your block to get a copy of Hello Life click on How To Order on the menu line above