Category Archives: Limited Editions

Year Five

year five

2015 marks the fifth year of operation here at Nualláin House, Publishers, and while there were a few surprises and learning experiences, there is also no doubt the education opportunities will keep presenting themselves.  Of the four books Nualláin House has published to date, two have been genre fiction and two have been poetry.  This should not be surprising as among the principals of the publishing concern are two poets.  Genre fiction will still be a focus but because of the abundance of readily available material, poetry will always be a consideration.  Now with four books complete and available, a fifth is in the planning stages.   More on that in the near future.

The Nualláin House mission has not changed. As a publishing venture committed to introducing diverse literary entertainment to the reading public, Nualláin House, Publishers, will continue to offer a range of quirky and engaging titles to enhance the modern “reading life.”   What has changed is the variety of options available in presenting and producing written entertainment, and one that Nualláin House, Publishers, is encouraged to attempt.

Access and availability seem to be the buzz words.  The reading public now totes their devices the way some folks used to carry paperbacks around (some folks still do).  In fact, one of the early paperback publishers was Pocket Books, the name emphasizing their product’s portability.   What has changed is that information, in this case literature, no longer needs to be tied to a single use artifact.  Access to the virtual information cloud seems unlimited as is its round the clock availability.  Technology always changes the way business is done whether it is developing a new type of spearhead or the latest application for digital devices.  How it applies to independent publishing requires a reevaluation of what is being made available, in this case reading material.  Business, independent publishing included, carries with it the assumption that there will be compensation for the effort expended in offering a product, and that money needs to change hands. Although that aspect of business will not go away if it expects to remain business, it is quite possible that virtual content will represent merely the ephemeral inducement to acquire the printed artifact as an item of cultural capital.

Perhaps the access to intellectual product should not be predicated on a monetary return.  The factor that will determine such a product’s financial viability is demand.  If there is no significant demand should the property be withheld or should unconditional access be open to all cyber grazers in the marketplace?  Granted, such a free site becomes a special niche, boutique, if you will, visited by a unique readership brought there through interest generated on social media.

Although eBooks seem to occupy the virtual niche, their basis is not all that different from their printed versions in that they are, at the get-go, a product that must be purchased to access, albeit at a reduced cost.  Also, their virtual life lasts only as long as it takes to complete reading the text which can be anywhere from 12 hours to several months, depending on the product.  An alternate paradigm would be one that takes its cues from entertainment programming in that it offers episodic installments available at a predictable time and date and a compelling story arc that carries over an extended period the interest and attention of the reader.  That it is offered without cost removes a further obstacle in its availability.  What is being described is the online serial.

While the concept of an online serial is not new, Nualláin House is encouraged to adapt the concept to an ongoing pulp series of online genre fiction and is currently testing the waters with an original online serial fiction, Ode To Sunset.  Judging from the initial and ongoing response to posted episodes, there is no doubt that it is a viable enterprise with exciting potential. Many of the details are still in flux as to the format and presentation of serial online fictions, but one thing is certain: companion print editions will inevitably be available for purchase.  More will be forthcoming as further developments take shape.


 

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Ode To Sunset, A Year in the Life of American Genius, is the title of the ongoing online serial fiction.  As of this post, eight installments have been published, with two more episodes to complete the current section.  Ode To Sunset is the story of American genius told over the course of a year. It is about a poet who is not quite Charles Baudelaire not quite Charles Bukowski, who looks like a well worn Alex Trebeck but with the demeanor of a Mickey Rourke.  It mostly takes place in a city not always quite Frisco.  It is satirical, playful, and inevitably deadly serious.  Now available for your oculation.  Ode To Sunset.


nulogorevjpNualláin House Publishers is also the sponsor of a sister site, Parole, blog of The New Black Bart Poetry Society.  Parole features essays and bbpsovalcritiques on the art of poetry, poets, and the poetry world in general.  Previous posts have included essays on Philip Whalen, William Carlos Williams, Andrei Codrescu, and Bob Dylan.  Membership in The New Black Bart Poetry Society is open to anyone who follows Parole.


 

Just A Reminder
current titles are still available,
free shipping with the purchase of
more than one copy or title
see
How To Order

 

YNHcvrjYour Name Here, New Poems by Pat Nolan
Never one to settle into a style, Pat Nolan has made of his poetry an exploration of other poetries and of the numerous ways a poem can be.  As an adherent of the Philip Whalen Buddhist-inspired “mind moving” school, he holds to the idea that the poem is framed sentience. Just as the observed world is an occasion of subjectivity, it also mirrors the self in a way that reflects objectively.  The poems in Your Name Here revolve around that quantum axis with seemingly random discontinuities that do not pin down meaning but are left to mean themselves.  Written to be heard by the mind’s ear, Nolan’s poetry enacts a sub-vocal monologue that is like the murmur of cosmic background radiation, noticeable only in its cessation or as pauses when the mind registers the sum of discrete moments in an instant.

November 2014 ~ 80 pages ~ $16 ~ paper ~ ISBN 978-0-9840310-0-9

 

HELLOLIFEjHello Life by Gail KingPoetry; The poems of Hello Life achieve their freshness in the particularity of experience. The poet surrenders herself to the moment and tenders that subtle cognition as a delighted welcome to life. The ease of her expression in dealing with the everyday communicates an uncommon wisdom. The poems present, through playful understatement and sly humor, the immediacy of spontaneous impressions. Maureen Owen, former artistic director for The Poetry Project in NYC and author of Edges of Water and Erosion’s Pull, says “In Gail King’s poems the events of the day become transformative, the images of the temporary become immediate, and the mystery of being alive in the Now unfolds. “…time like a lake breeze” says the poet, and the wind rises.” Gail King’s poems have also won the praise of Andrei Codrescu, poet, novelist, essayist and NPR commentator, author of So Recent Rent A World, who said “Reading Gail King has always been one of my great poetry pleasures. Her inimitable voice narrates the world with humor and tenderness, a world of beauty and occasional sorrow. Her work has healing effects.”

December 2013  ~  $16.00  ~  64 pages ~ Paper  ~  ISBN 978-0-9840310-3-0

 

The Last ResortThe Last Resort, A Lee Malone Adventure by Pat Nolan
Pat Nolan has written a fast paced, tongue-in-cheek, pun filled comedy of errors, misunderstandings, and faux intuition in the mode of a 1930’s pulp thriller to talk about the pulp fiction of that era.  In doing so, The Last Resort presents an unlikely set of circumstances in which a worldly-wise female reporter must untangle herself from her past in order to deal with the puzzling events of her present.  Rather than the typical splinter-jawed, broken nosed, tobacco breathed tough guy hero, Nolan upends the stereotype by introducing a gorgeous internationally famous former fashion model whose super power is her beauty.  The Last Resort, A Lee Malone Adventure, is a quirky, entertaining recreation of the lurid screed that once peopled pulp pages on newsstands everywhere.

August 2012 ~ $19.99 ~ 212 pages ~ Paper~ ISBN 978-0-9840310-2-3

ontheroadfront300On The Road To Las Cruces, Being A Novel Account of The Last Day In The Life of A Legendary Western Lawman by Pat Nolan
On The Road To Las Cruces, a work of fiction tethered loosely to historical fact, is the story of the relationship between two men, one garrulous, the other taciturn, the Mutt and Jeff of the old Southwest.  What is related on the road to Las Cruces is as much a retelling of some history as it is how such a retelling might come about, and is represented in the manner of a tall tale, the deadpan details of a crime story, melodrama, and a conspiracy to murder. The road to Las Cruces is full of twists and turns.  The sound of a door slamming like a gunshot brings us into the world of the old Southwest and the gun violence of that historical era.  More than just the tale of a legendary lawman who remains nameless to the end, it is a lesson in storytelling and an allegory for how lives were lived and how death was dealt.  As much a dusty tale of buffalo hunts and shoot-outs as a politically driven “whodunit,” On The Road To Las Cruces is the story of youthful bravado and an old man’s regret.

November, 2011 ~ $16.99 ~ 154 pages ~ paper ~ ISBN 978-0-9840310-1-6


bambooleafchopNualláin House, Publishers, in partnership with Bamboo Leaf Studio, will continue to offer its series of linoleum block print portraits entitled Smoking Poets featuring such literary luminaries as Dylan Thomas, Roberto Bolano, and Charles Bukowski.

Also available from Bamboo Leaf Studio are selection of Buddhist-inspired prints featuring faux homilies for the 21st Century. All linoleum block prints are hand printed on unbleached mulberry washi and signed by the artist with his seal.Order through Nualláin House, Publishers Box 798, Monte Rio, CA 95462

JUST IN TIME FOR THE HOLIDAYS

JUST IN TIME FOR THE HOLIDAYS

Free shipping (US only) and a deep discount on
the Nualláin House, Publishers back list.

Order Now!
(offer ends December 31, 2014)


Order all four titles and save even more!

Get all four Nualláin House titles for just $50!!
Save almost $20!!!

Bonus !!

with every purchase get a limited edition signed
broadside featuring the poem Advice To A Young Poet
from Pat Nolan’s Your Name Here
and an original linoleum print of Dylan Thomas
from Pat Nolan’s Smoking Poets series
Iota Brdside DT

 How To Order
send cash, check or money order
(made out to ‘Pat Nolan’) to
Nualláin House, Publishers
Box 798  Monte Rio, CA 95462
and indicate the title(s) you are purchasing


nulogorevjpNualláin House, Publishers in partnership bambooleafchopwith Bamboo Leaf Studio
is offering two new prints from 
Pat Nolan’s Smoking Poets series


Also available from Bamboo Leaf Studio are a selection of Pat Nolan’s Buddhist-inspired prints

 

All linoleum block prints are hand printed on unbleached mulberry washi
and signed by the artist with his seal.
Order through Nualláin House, Publishers
Box 798, Monte Rio, CA 95462
Make check or money order payable to Pat Nolan.
Add $5 for shipping and handling for each order.

Limited Edition: So Remote The Mountains

So Remote The Mountains
after Saigyo

by Pat Nolan

 

so remote cvr So Remote The Mountains is a limited edition fanfold featuring twelve meditations on Saigyo’s tanka, yama fukami (So remote the mountains). A Buddhist monk-poet, Saigyo (1118 – 1190) is one of the most well known and influential of the traditional Japanese poets writing in waka, or tanka, the court poetry style of the late Heian, early Kamakura era. Saigyo had written ten tanka that began with the phrase yama fukami describing the austere and remote circumstances of his hermitage near Mount Koya and sent them to a fellow monk who lived some distance away, north of Kyoto. With a few exceptions, all of Saigyo’s poems are written in the 31 syllable form of tanka or waka favored by the Japanese court of his day. The tanka is a precursor to renga and hiakai no renga (linked verse) and today’s popular haiku. Its 31 syllables are generally broken into sets of 5-7-5-7-7 syllables from which traditional haiku derives its 17 syllable format.

            The twelve meditations on Saigyo’s So Remote The Mountain by Pat Nolan are not tanka, nor are they technically haiku as they do not adhere to the syllabic count for either of these forms. They are probably closer to haiku than tanka because of their succinctness. However it is best to think of them as call and response. The call is Saigyo’s line yama fukami, and the response is the meditation on the line, sometimes sober, sometimes humorous, all of which emphasize a sense of isolation and distance.

            This limited edition of So Remote The Mountain is a fanfold printed on rough unbleached mulberry paper set in a cover of 100% recycled Bogus art paper with Japanese silk screened endpapers imported from Kyoto. The cover is an original stencil print by the author. Each is numbered, signed, with the author’s seal. The fanfold measures 3-11/16th x 8-7/8th inches (9.5×22.5 cm) closed, 7-3/8th x8-7/8th inches (19.3×22.5 cm) open.  Japanese silk screened endpapers can vary from what is shown.  However all endpapers are genuine Japanese silk screened paper.
so remote intext

 

So Remote the Mountain is available from Nualláin House, Publishers Box 798, Monte Rio, CA 95462, for $10 (postage included) cash, check or money order (make check or MO payable to ‘Pat Nolan’).

 

Smoking Poets

 

bambooleafchopNualláin House, Publishers, in partnership with Bamboo Leaf Studio, is offering limited edition linoleum prints of Smoking Poets, an ongoing series of author prints by Pat Nolan. The smoking poets in this in series include Blaise Cendrars, Pierre Reverdy, Dylan Thomas, Samuel Beckett, Ted Berrigan, Charles Bukowski, Roberto Bolaño, and the muse of amusement, Marcel Duchamp.

 

The Smoking Poets

duchampstmpgrp1Blaise Cendrars, edition of 50, 5×7” (12.7×17.78 cm) printed on unbleached mulberry paper, $30 US each

 

 

 

 

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Samuel Beckett, edition of 50, 5×7” (12.7×17.78 cm) printed on unbleached mulberry paper, $30 US each

 

 

 

 

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Pierre Reverdy, edition of 50, 4×5” (10.16×12.7 cm) printed on unbleached mulberry paper, $25 US each

 

 

 

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Dylan Thomas, edition of 50, 4×5” (10.16×12.7 cm) printed on unbleached mulberry paper, $25 US each

 

 

 

 

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Ted Berrigan, edition of 50, 5×7” (12.7×17.78 cm) printed on unbleached mulberry paper, $30 US each

 

 

 

 

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Charles Bukowski, edition of 50, 5×7” (12.7×17.78 cm) printed on unbleached mulberry paper, $30 US each

 

 

 

 

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Roberto Bolaño, edition of 50, 5×7” (12.7×17.78 cm) printed on unbleached mulberry paper, $30 US each

 

 

 

 

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Marcel Duchamp, edition of 50, 8×10 (20.32×25.4 cm) printed on unbleached mulberry paper, $40 US each

 

 

 

 

How To Order: Send check, money order, or cash to Nualláin House, Publishers Box 798 Monte Rio, CA 95462. Include $5 shipping for single prints. Purchase more than one print and receive free shipping. Make checks and money orders payable to ‘Pat Nolan.’
Special offer: purchase all the Smoking Poets and receive the Marcel Duchamp print free, compliments of Bamboo Leaf Studio.

 

Artist’s Statement:   

I first came to print making through an avid interest in Ukiyo-e prints, in the process amassing a large number of monographs, museum catalogs, and anthology representations of floating world artists who were popular in Japan in the 18th to the late 19th century. The subdued palette of basic colors reminded me of the color funny papers and comic books that were a consuming interest when I was a youngster. The more I learned about the art of Japanese print making, the more I came to appreciate 20th Century artists and the powerful simplicity of black and white prints in the hands of masters like Munakata, Unichi, and Okuyama. My by-now obsession with Japanese prints was kicked up a notch when I began collecting affordable reproductions of the Edo masters as well as original work by contemporary artists. The next level was to try my hand at making prints of my own. I had better luck carving linoleum blocks than I did wood and took the path of least resistance. I knew I wanted to work with and/or adapt the Japanese motifs I was familiar with. I had the idea of making Buddhist inspired prints featuring original homilies (“Kicked a clump of dirt – my return address”) since some of the earliest Japanese prints were devotional prints sold to pilgrims traveling to various shrines and temples. I also wanted to attempt portraits of literary personages, poets primarily, in the manner of Kabuki actor prints. My emphasis is black and white, printing with water soluble ink on mulberry paper, and, in most instances, letting the uncarved portions of the block define the picture plane. The blocks are printed by hand using a variety of barens and multiple inkings.

The Smoking Poets idea came to me after I had completed the Samuel Beckett print. As the idea took shape and I searched for images of poets smoking, I visualized it as an on-going series with the muse of amusement, Marcel Duchamp, as the centerpiece of this modern literary conclave.

Pat Nolan, Monte Rio, 6/1/2014

duchampstmpgrport

 

 

Limited Edition: Lyre Liar


lyreliarcvrfLyre Liar,
a poem by Pat Nolan, was published by Bamboo Leaf Studio in 2012 in a limited numbered edition of 12 signed by the author with his seal. The cover is printed on a heavy weight Reeves print paper and folded as a clamshell as the platform for the fanfold poem. A band of washi with the author’s seal secures the clamshell closed. The endpapers are Japanese silkscreened patterns imported from Kyoto. Lyre Liar measures 9×7.75 inches (22.7×19.6 cm) open and 9×3 7/8 inches (22.7×9.8cm) closed. The fanfold poem is printed on an unbleached washi and measures 9×20.5 inches (22.7×52 cm) fully extended. Lyre Liar is out of print in this edition.

 

lyreliaropenlyreliartxt

 

 

 

 

 

 

 

 

 

Click LYRE LIAR 2012 to view a pdf facsimile.

Limited Edition: Exile In Paradise

Exile In Paradise

by Pat Nolan

 

EGRET1 title2x3The selection of poems in Exile In Paradise are derived from a lifelong appreciation of Chinese poetry.  Each of the  poems finds its origin in a line from an ancient Chinese poet.  The body of the poem consists of an improvisation from that line with the aim of using elements of Chinese prosody such as parataxis and parallelism while being cognizant that Chinese nouns have no number, verbs have no tense, few if any conjunctions or prepositional indicators, and that each line contains its own integrity, apart from any overarching discursive intent.  Chinese poetry is image rich and largely dependent for its overall effect on the juxtaposition of these images in a discontinuous thread that is not unlike the successive frames of film.  The poems in Exile In Paradise makes use of this ancient prosody to achieve a synthesis between an historically distant culture and the contemporaneous radically different literature of today.
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Exile In Paradise was published by Bamboo Leaf Studio in 2009 in a limited edition signed by the author with his seal.  Most of the covers are made from repurposed ‘stick & strings’ wallpaper samples and vary with each copy. A few of the covers were printed on a distressed heavy weight print paper using a stencil design. The endpapers are Japanese silkscreened patterns imported from Kyoto, as are the binding strips. The illustrations accompanying the poems are reproductions from a nineteenth century block printed Japanese compendium of seals and calligraphic signatures of ancient Chinese painters in the possession of the author.  Exile In Paradise measures 5.5×8.5 inches (14×21.5 cm) and is bound with a traditional four hole Japanese style binding.  The poems were printed on a limited supply of discontinued Gainsboro text stock.  Exile in Paradise is out of print in this edition.

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To view a pdf facsimile click on Exile In Paradise 2009

Limited Edition: Carved In Stone

carvedcvrf
Carved In Stone, a tanka sequence by Pat Nolan, was published by Empty Head Press in the Summer of 2013 in a limited numbered edition signed by the author with his seal.  The covers are printed on heavy weight dragon cloud washi featuring reproductions of one of four Japanese prints from the series Imayo sugata (Stylish Appearances) as are the bamboo leaf endpapers.  Carved In Stone measures 4.25×3 inches (10.7×7.8 cm) and is bound in the Yamato style binding.  The 26 text pages (including 5 illustration) are printed on recycled paper.
 carvedend

Tanka ,meaning ‘short song,’ is an unrhymed poem with a fixed thirty-one syllable pattern of 5-7-5-7-7.  In Westernized stanza form, it is a five line poem.   Tanka, one of the oldest of Japanese verse forms, dates back to before the 11th Century.  Tanka gained renewed popularity in the late 19th Century among radically modern young poets who brought its diction and subject matter up to date.  Historically, tanka is a precursor to renga, haikai, and haiku.
   carvedpem2                                 

The poems in Carved In Stone do not follow precisely the fixed syllabic count nor do they conform to many of the accepted tanka conventions but seek a synthesis and accommodation brought about by translation into a radically different language and culture.

carvedcvrb
A few copies of Carved In Stone are still available from the publisher for $20 each plus shipping.  See How To Order for more information.

Limited Edition: All Ears

All Ears

haikai no renga by Keith Kumasen Abbott, Pat Nolan, Maureen Owen & Michael Sowl

Renku PoetsAll Ears, a haikai no renga or linked verse, was the first of the collaborations between Maureen Owen, Keith Kumasen Abbott, Michael Sowl, and Pat Nolan to be made into a limited edition handmade book and was published by Empty Head Press in 2004.  Subsequently, Random Rocks and Poetry For Sale, both haikai no renga, were issued as limited edition handmade books(see Nualláin House archives for July 2013 and October 2012).  All Ears was also included in the anthology Saints of Hysteria, A Half Century of Collaborative American Poetry (Soft Skull Press, 2007).   

All Ears was composed through the mail over a period of a year and a half beginning in early 1992.  Once the 36 stanzas (kasen) of the haikai-no-renga were completed, each poet was asked to comment on the process in general, and on their own stanzas and those of their collaborators.  The arrangement of stanza follows the standard haikai form of 8 stanzas on the first sheet and 8 stanzas on the back sheet with the remaining 20 stanzas taking up the central text.  Following the haikai no renga and the commentary by the poets is the sequence showing the stanza assignment as well as which poets had the moon and flower stanzas.   

All Ears was bound using repurposed “sticks & strings” wallpaper sheets from a wallpaper sample book as cover stock and backed with Japanese silkscreen endpapers.  Each cover was unique in itself. The pages were folded vertically with a folded leading edge as is common in Japanese books.  Each book was hand sewn using a Japanese side stitch style known “tortoiseshell.”  The dimensions are 4.25×10 inches (10.5×16.5 cm).  Only a limited number of All Ears were produced and it is out of print. 

For more on the intriguing subject of Japanese Linked Verse, see Earl Miner’s Japanese Linked Poetry (Princeton, 1979), Hiroaki Sato’s One Hundred Frogs (Weatherhill, 1983), and Haruo Shirane’s Traces Of Dreams (Stanford, 1998).

To view a PDF facsimile of All Ears, click on ALL EARS 2004

Limited Edition: Jacks Or Better

Jacks Or Better

by Pat Nolan

Jacks Or Better is a travel journal (kikobun) in the tradition of Basho’s Narrow Roads To Far Off Places.  The narrow road followed in this journal is the iron road, from San Francisco to rural Florida with stops in New Orleans and Baton Rouge.  It is a poet’s journey expressed as haibun in which descriptive or expressionistic prose is capped by a haiku-like poem that continues the thread, elucidates it, or offers a disparate juxtaposition.  Published by Egret Moon Press in 2011 in a limited edition of 36 copies. 38 pages hand-bound with Japanese stitching between grey repurposed paper covers, 7×7.25 inches (18x19cm).

 

jobfcvrfrom Jacks Or Better 

Although this is my first trip to New Orleans, I’ve taken trains across country before and have always found that if you’re on a schedule they are the last place to be.  But if you’re not in a hurry, they enforce a leisurely pace that is fast becoming antique. My final destination is Florida where I will visit with my parents.  The first leg will take most of three days. This trip is ostensibly about the anatomy of a friendship and the relationship between generations.  I will visit with Andrei Codrescu in New Orleans and lecture to his MA classes at Louisiana State University. 

Baton Rouge
“only place in America named
         after a dog’s dick”

 

 To view a pdf facsimile click JACKS OR BETTER 2011

Limited Edition: Carbon Data

Carbon Data

By Pat Nolan

 

carbon dataCarbon Data is a limited edition poetry selection published by Last Cookie Press in 2008, bound with 60# granite grey cover stock in the Japanese four-hole style.  35 pages, 8.5×5.5 

The poems in Carbon Data first appeared in Fell Swoop, Tight, Exquisite Corpse, Smelt Money, Kickass Review, Watching The Wheels: A Blackbird, Court Green, and Otolith as well as in volumes of selected poetry including Fly By Night (1992), The Nolan Anthology Of Poetry, Vol. II (2003), and Later (2007).  

Pat Nolan’s poetry and prose have been published in numerous magazines including Rolling Stone, The Paris Review, The World, Big Bridge, Poetry Flash, and Exquisite Corpse as well as literary magazines in Europe and Asia.  He is the author of fifteen books of poetry, including LATER from On The Fly Press (2007).  

This limited edition is still available for $10 plus shipping.  Get free shipping when you purchase a copy of either On The Road to Las Cruces or The Last Resort along with Carbon Data.  Click here to preview a pdf facsimile of  CARBON DATA 2008